Stax Kogyo, a small audio company by Japanese standards, has been for the past 15 years steadfastly refining and redefining the electrostatic headphone. The SR-Lambda Pro is their current flagship model, and at a 1984 US list price of $780 it also represents a very substantial investment in headphone technology.

Before I visited the Bob's Devices booth in the Plaza ballroom, I was having a hotel breakfast with my runnin' buddy (and Stereophile's Deputy Editor) Art Dudley. We were speaking in whispers—plotting the overthrow of all governments—when a happy guy with facial hair, who I later found out was Bob Sattin of Bob's Devices, comes to our table and says he wants to show us a photo of a "modified record player"…

Every good show has a vibe, and the vibe at Capital Audiofest owes a lot to the region's very spirited DIY community…

At 5pm on a Thursday, some Thursdays ago, Robert Baird and I embarked on a post-work record hunt in Brooklyn. More specifically, we explored Williamsburg, otherwise referred to as "Hipster Land" (footnote 1). Aside from being an all-round neat neighborhood, Williamsburg is also home to quite a few record shops. This trip, we decided to keep our stops to a minimum and focus on two of our favorites: Rough Trade (64 N 9th Street, Brooklyn, NY 11249) and Earwax Records (167 N 9th Street, Brooklyn, NY 11211).

To hear the system demonstrated by The Voice That Is was to conclude, on the basis of that experience and previous experiences with systems put together by proprietor Doug White, that the man is utterly incapable of making bad sound…

Think hip, young, handsome, and smart—with (maybe) some grease under his fingernails. Besides being one of my favorite loudspeaker manufacturers, Zu Audio's Sean Casey and his daughters restore vintage motorcycles. Sean is also a dancing party guy with a pile of records that follows him around like dust follows Pig Pen.

I like the out-of-the-ordinary, possibly because I have been disappointed by the ordinary often enough that I'm not uncomfortable looking elsewhere. So I'll admit up-front that I was predisposed toward enjoying Larsen loudspeakers, from Sweden, which are designed to perform their best, not in an anechoic chamber but in a real room, when positioned up against a real wall. Even that bit of psychological preconditioning didn't prepare me for how impressed I was by the Larsen 8 ($7000/pair), driven by a GamuT Di150 integrated amplifier ($13,990), itself fed by a Pear Audio Blue Kid Howard turntable ($5000 w/tonearm) and an Ortofon Cadenza Black cartridge.

The opening-day buzz at CAF was all about the Mk.2 version of KEF's giant, chromed Muon loudspeakers. Styled by Ross Lovegrove, the Muon is like those concept cars we all love at the car shows—it had a big quotient of wow-factor—but everyone in the room knew they would never get to drive them home. But with the Muon, at least we could touch and listen.

It was 89°outside at 11am on the opening day of Capital Audiofest in Rockville, MD, a day when the high temperatures were predicted to reach the mid-90s—the show continues today and tomorrow. One could be forgiven for asking: why not spend the day at an audio show in a nice, newly renovated, air-conditioned hotel? Why not, indeed. There are 58 individual exhibits here, representing God-only-knows-how-many different brands: Munich High End it ain't, but then Munich isn't a 25-minute Metro ride from our nation's endearingly dysfunctional capital.