A highlight of my visit to AXPONA, held last April in the Chicago suburb of Schaumburg, was the Dynaudio room, where the two-way, stand-mounted Special Forty loudspeakers ($2999/pair) were being driven by a tubed Octave integrated amplifier. "The stereo image was superb," I wrote in my show report; "even more impressive [were] the solidity and believability of the softly struck bass drum that punctuates the Ramirez Misa Criola." I concluded that this dem "illustrated how matching a relatively small speaker to a smallish room can produce optimal and excellent sound quality."
Ever since the Tokyo Electro Acoustic Company (TEAC) founded its Esoteric division, in 1987, Esoteric's slogan has been "state of the art." Given Esoteric's impressive displays at audio shows, which reflect a consistency of ownership, staff, and philosophy of engineering, design, and manufacturing, I have longed to evaluate one of their hand-assembled models in my reference system. Any brand named Esoteric, and whose top line of products is named Grandioso, had better make superior products.
James Mallinson confers with Sir Georg Solti during playbacks for Mahler's Symphony No.3 in Chicago's Orchestra Hall in November 1982, from the CSO Archives
Legendary British record producer James Mallinson, whose close to five decades of work with Decca/London, Telarc, and the labels of the major orchestras in London, Chicago and St. Petersburg, died unexpectedly on Friday night, August 24. He leaves behind, in addition to his beloved wife and son, an estimable recorded legacy that earned him no less than 16 Grammy Awards and 49 Grammy nominations.