<I>"Guitar groups are on the way out, Mr. Epstein."</I>&mdash;Dick Rowe, Decca Records, 1962

I was going through a box of old photographs, lingering over some pictures I'd taken at the Quad loudspeaker factory in Huntingdon, England, a number of years ago. It was my second trip overseas&mdash;1994 or '95&mdash;and while I remember being intrigued by the machinery and the test equipment and all, I know that the real impact of the tour was probably lost on me: I wasn't yet a Quad <I>owner</I>.

I was going through a box of old photographs, lingering over some pictures I'd taken at the Quad loudspeaker factory in Huntingdon, England, a number of years ago. It was my second trip overseas&mdash;1994 or '95&mdash;and while I remember being intrigued by the machinery and the test equipment and all, I know that the real impact of the tour was probably lost on me: I wasn't yet a Quad <I>owner</I>.

One of the engrossing and rewarding things about the study of history is that, every now and then, someone comes up with a plausible solution to a historical mystery&mdash;or some aspect of a historical mystery&mdash;that is decades, or even centuries, old. It often is the case that all the evidence was right there under everyone's noses all along. It's just that no one had yet managed to put all the pieces together properly and look at them from the right angle.

One of the engrossing and rewarding things about the study of history is that, every now and then, someone comes up with a plausible solution to a historical mystery&mdash;or some aspect of a historical mystery&mdash;that is decades, or even centuries, old. It often is the case that all the evidence was right there under everyone's noses all along. It's just that no one had yet managed to put all the pieces together properly and look at them from the right angle.

One of the engrossing and rewarding things about the study of history is that, every now and then, someone comes up with a plausible solution to a historical mystery&mdash;or some aspect of a historical mystery&mdash;that is decades, or even centuries, old. It often is the case that all the evidence was right there under everyone's noses all along. It's just that no one had yet managed to put all the pieces together properly and look at them from the right angle.

Recordings that deliver the benefits of the high-resolution SACD format scored big at the 49<SUP>th</SUP> Grammy Awards Ceremony, held February 11, 2007 in Los Angeles. Telarc, which issues virtually all its classical titles and some jazz/blues releases in both DSD-native CD and hybrid SACD surround formats, won two Grammys in classical categories and three in jazz. SFS Media, the in-house label of the San Francisco Symphony conducted by Michael Tilson Thomas, received two Grammys for the seventh release in its ongoing Mahler series of live, DSD-native hybrid surround SACDs. Last but not least, Harmonia Mundi, some of whose titles are available in DSD-native hybrid surround SACD, scored big with the gorgeous choral music of Arvo P&#228;rt.