Simon Yorke is an artist, a machinist, an electronics wiz, and a political idealist. He's also an analog enthusiast who melds aesthetic and technical considerations into eye-catching, densely packed, compact record-playing devices that are ruggedly built and functionally elegant. His turntables' smooth, matte-gray, metallic finishes and efficient lines make them among the most visually pleasing ever made.

Simon Yorke is an artist, a machinist, an electronics wiz, and a political idealist. He's also an analog enthusiast who melds aesthetic and technical considerations into eye-catching, densely packed, compact record-playing devices that are ruggedly built and functionally elegant. His turntables' smooth, matte-gray, metallic finishes and efficient lines make them among the most visually pleasing ever made.

Simon Yorke is an artist, a machinist, an electronics wiz, and a political idealist. He's also an analog enthusiast who melds aesthetic and technical considerations into eye-catching, densely packed, compact record-playing devices that are ruggedly built and functionally elegant. His turntables' smooth, matte-gray, metallic finishes and efficient lines make them among the most visually pleasing ever made.

In 1962, when tennis rackets were made of wood, newspeople were known for challenging the government, and the off-Broadway musical <I>The Fantasticks</I> was in its second year (the show closed in 2002), Nippon Columbia's Denki Onkyo (or Den-On) division introduced to the professional audio world a brand-new moving-coil phono cartridge. Developed in cooperation with the Japan Broadcasting Corporation, the DL-103 was one of the first attempts at making a truly wide-bandwidth stereo cartridge that nonetheless could withstand the rigors of back-cueing. The DL-103 was a nearly instant success with broadcasters, and its popularity spilled over into the world of domestic audio.

In 1962, when tennis rackets were made of wood, newspeople were known for challenging the government, and the off-Broadway musical <I>The Fantasticks</I> was in its second year (the show closed in 2002), Nippon Columbia's Denki Onkyo (or Den-On) division introduced to the professional audio world a brand-new moving-coil phono cartridge. Developed in cooperation with the Japan Broadcasting Corporation, the DL-103 was one of the first attempts at making a truly wide-bandwidth stereo cartridge that nonetheless could withstand the rigors of back-cueing. The DL-103 was a nearly instant success with broadcasters, and its popularity spilled over into the world of domestic audio.

In 1962, when tennis rackets were made of wood, newspeople were known for challenging the government, and the off-Broadway musical <I>The Fantasticks</I> was in its second year (the show closed in 2002), Nippon Columbia's Denki Onkyo (or Den-On) division introduced to the professional audio world a brand-new moving-coil phono cartridge. Developed in cooperation with the Japan Broadcasting Corporation, the DL-103 was one of the first attempts at making a truly wide-bandwidth stereo cartridge that nonetheless could withstand the rigors of back-cueing. The DL-103 was a nearly instant success with broadcasters, and its popularity spilled over into the world of domestic audio.

In 1962, when tennis rackets were made of wood, newspeople were known for challenging the government, and the off-Broadway musical <I>The Fantasticks</I> was in its second year (the show closed in 2002), Nippon Columbia's Denki Onkyo (or Den-On) division introduced to the professional audio world a brand-new moving-coil phono cartridge. Developed in cooperation with the Japan Broadcasting Corporation, the DL-103 was one of the first attempts at making a truly wide-bandwidth stereo cartridge that nonetheless could withstand the rigors of back-cueing. The DL-103 was a nearly instant success with broadcasters, and its popularity spilled over into the world of domestic audio.

Starbucks, look out! ArkivMusic is on your tail. Just in time for the holidays, the Internet's major classical-music site has teamed up with the Canadian Brass to create ArkivMusic's first new recording, <I>Christmas Tradition: Music for Brass and Organ</I>. The CD, recorded for the Canadian Brass's own label, Opening Day (ODR 7345), includes music by composers who, over the years, have written some of the ensemble's favorite music and arrangements.

MTV published an end of the year review of the music business on December 17, "<A HREF="http://www.mtv.com/news/articles/1576538/20071214/madonna.jhtml?src=rss… Ditches Label, Radiohead Go Renegade: The Year The Music Industry Broke.</A>" Month by month, it's a litany of bad tidings for the biz, from January 14, 2007, the day the <I>Dreamgirls</I> soundtrack hit number 1 on <I>Billboard</I>'s pop charts with a scant 60,000 copies sold (lowest #1 ever) through December 3, 2007's announcements that Def Jam and EMI were laying off employees and Warner Music Group would cut executive bonuses (<I>awww</I>).