Richard Rodgers & Oscar Hammerstein: Oklahoma!; Postcards From Italy: Italian Music for Film; British Piano Concertos: Works by Jacob, Addison, and Rubbra; Bruckner: Symphony 7; Tan Dun: Buddha Passion.

The Beatles: Now & Then (single); Teenage Fanclub: Nothing Lasts Forever; Devendra Banhart: Flying Wig; Ariel Posen: Reasons Why.

Johnathan Blake: Passage; Mark Turner Quartet: Live at the Village Vanguard; Darcy James Argue's Secret Society: Dynamic Maximum Tension.

I first met Musical Fidelity's founder, Antony Michaelson, in 1978, when he was running tube amplifier manufacturer Michaelson & Austin. I still have an M&A TVA-10 amplifier, which was designed by the late, great Tim de Paravicini. Soon after Antony founded Musical Fidelity in 1982, he employed de Paravicini to design the A1 integrated amplifier.

The A1 was a slim solid state design with a class-A output stage that output 20Wpc into 8 ohms. By contrast, the massive, dual-mono Musical Fidelity Nu-Vista 800 integrated amplifier, which Michael Fremer reviewed for Stereophile in November 2015, featured nuvistor tubes for its small-signal circuitry, coupled with a solid state, class-AB output stage that could deliver 330Wpc into 8 ohms.