Aimed straight at the Sonos owner, Arcam's new DAC has a form factor similar to a Sonos ZP90 and plugs right in. It forms a base for the Sonos to sit on and is similar to the company's rLink DAC with TI PCM5102 chip, supporting streams up to 24/192. Retail price is $299 and it is available now.

It's a simple idea really. Make it easy for anyone at your home to pull out an iDevice and play what's on it over your audio system without having to fiddle with cables and the proper connectors and then a compatible USB port. Some products, such as the Musical Fidelity M1SDAC have this already built in, but if you don't have it, here's an easy way to add it.

The $249 rBlink gives you the ability to connect any Bluetooth device like an iPhone wirelessly to the system. Plug the rBlink into an extra input on your stereo, and then have the Bluetooth enabled iDevice add it from their menu. Maybe not the best sound in the world (though better than it used to be with Bluetooth), but easy for your pals and great fun at parties.

As usual, Peachtree Audio put together one of my favorite systems of the show: iPad, AppleTV, Peachtree Decco65 D/A integrated amplifier, and a pair of Peachtree Design 4 bookshelf loudspeakers mated with a small REL subwoofer.

I looked at the system; listened to the fun, engaging sound; and thought to myself: Why doesn’t everyone own a system like this?

Krell is jumping into the streaming world with a somewhat reasonably priced product that can come two ways: streamer with digital out only at $2,500 or with built-in DAC for $3,500. The Connect has WiFi and ethernet UPnP/DLNA compatibility for NAS drives in addition to internet radio and USB input. The Connect will handle FLAC, WAV and MP3 files up to 24/192. The DAC option adds five digital inputs along with its ESS Sabre 32 bit DAC processor.

Though they were both at the CES last year, the MiND 180 and MOON 380D DAC with the MiND option have only recently started shipping. The MiND (Moon Intelligent Network Device) retails for $1,250 and adds basic network and NAS streaming functionality to your system. It can handle up to 24/192 through WiFi, ethernet, AES/EBU and Toslink. Control is handled via a free iOS and Android app that looked very user friendly and easy on the eyes.

Though I was exhausted from a long day of walking through enormous casinos and down seemingly endless halls, I couldn’t resist the allure of flashing lights and loud dance music. I walked into the room and was startled by red-and-white-striped jump ropes spinning dizzying patterns to the music.

Stepping into the Pro-ject room in the Venetian I spied an entire wall of little boxes--literally dozens of them. Norbert Schmied, from the company's US representatives, Sumiko, handily pointed me toward the DACs and Streamers.

New to CES this year is the company's DAC Box DS in a small compact package and retailing for $549. Features include 24/192 SPDIF, Toslink and async USB as well as PCM-1792 Burr-Brown DAC and 2 filter options.

“This guy will make your iPod of iPhone look like a toy,” said HiFiMan’s founder and head designer, Fang Bian.

One of my favorite products to review over the last couple years was the Cantata Music Center from Resolution Audio. What's not to like: solid engineering, forward thinking and gorgeous styling.

The company claims the product is designed to be future proofed for at least the next 10 years, and is now offering a new $500 24/192 hardware upgrade (software upgrades are free) to existing owners that is also featured in current versions. The Cantata Music Center is now also UpNP capable for FLAC and AIFF file decoding.

English manufacturer Chord Electronics is known for its sophisticated CD players, which use sophisticated DACs. Indeed there was a huge picture denoting Chord's latest-generation DAC, the QBD 76, at the center of the back wall. As my beat was amplifiers, Chord's designer, John Franks (pictured above), spent the next 30 minutes walking me through the design of Chord's latest amplifier, the SPM 1200 Mk.II ($14,000), a solid-state, 350Wpc stereo mode. The amplifier sits at the bottom of the short stack of audio equipment John is leaning on. He explained that the amplifier has a high-frequency, 2kW, switch-mode power supply, and uses an output stage based on dual-die, lateral-structure MOSFETs with a soft turn/on-turn/off characteristic. This allowed John to use a sliding class-AB design.