The KingSound King III electrostatic loudspeakers ($12,000/pair) sounded superb at RAF, without the sweet-spot beaming I would have expected from their width. Amplifier was the 120Wpc, $6500 Innamorata from Wells Audio that I first heard at the 2013 Newport Beach Show, with an EAR 868 tube preamp ($7395) and Kaplan cables. Source was the latest Sound Science Music Vault M7 ($5595) with an Antelope Zodiac Platinum DAC with Voltikus power supply ($5500). Analog source was a Townshend Rock 7 turntable ($3900) fitted with an Ortofon Rondo Blue cartridge ($879).

Daedalus Loudspeakers has been a loyal exhibitor at RMAF, along with ModWright Instruments and WyWires. Their system showcased the Ulysses v.2 speakers ($14,950/pair) driven by a ModWright KWA 150 Signature amplifier ($8495), with the front-end a pre-production prototype ModWright Elyse DAC (price TBD) fed data from a ModWright-modded Oppo disc player, and ModWright LS 36.5 two-box preamp with tube-regulated power supply ($9995). Cables were WyWires PLatinum interconnects (from $1495) and Silver Series AC cords, with Daedalus/WyWires speaker cables. The Ulysses uses two full-range Fostex units for its midrange, combining it with twin tweeters and two proprietary 8" woofers with paper cones and corrugated surrounds originally designed by Daedalus 20 years ago for musical instrument use.

John Wolff's Classic Audio company has been a fixture at audio shows the past few years, always showing his beautifully made speakers, combining hornloaded midrange and highs with big paper-cone woofers, most recently using field-coil–energized drivers. This year John was demming the T-3.4, which combines a field-coil–energized midrange unit, with a 4" beryllium diaphragm loaded by a wooden horn horn with a 2" throat, with a pair of 15" woofers operating below 500Hz, one firing forward, the other at the floor, and a "Ultra-High-Frequency" supertweeter operating above 12.5kHz.

My sleeping room at the Tech Center Marriott was next to the Jeff Rowland Design Group's sound room. The night before the show started, though I wasn't kept awake, I was puzzled by the low-level, low-frequency noises coming through the wall. When I went into the room after the show had begun to take a listen, JRDG's Lucien Pichet, who for many years had been a stalwart at Avalon Acoustics, explained that they had been breaking in the system. This comprised Raidho D1 speakers, driven by the Continuum S2 400Wpc integrated amplifier ($9800) via Cardas Clear cables, with source the Aeris D/A processor ($9800) hooked up to a Bryston BDP-1 file player. The components were supported by one of the impressively built Harmonic Resolution Systems racks.

Taiwanese speaker manufacturer used an 400Wpc/8 ohms Jeff Rowland Design Group 825 stereo amplifier and Aeris DAC to demonstrate its new Double Bass loudspeaker ($28,000/pair), with audio data sourced from a Bryston BDP-1. The Double Bass combines an MTM ribbon array with an 8" sandwich-cone mid-woofer and 12" sandwich-cone woofer in a vented enclosure that resembles, yes, a double bass.

Wandering into the Blackbird Audio room, whom do I encounter but audiophile legend Dean Peer giving Trenner & Friedl’s Pharoah loudspeakers ($13,000/pair) a major run for the money. While learning that the speaker’s plywood cabinet is bottom-ported, and that it has a horn-loaded compression tweeter and 8" paper-cone woofer, Dean played various impossibly deep runs, leaps, and scales to discover that the speakers in fact react quite fast, and extend down to the subsonic level. Very very cool. I’m afraid I didn’t hear much else in the system—apologies to Heed Audio, Cardas Audio, Profundo, Colleen Cardas Imports, Unison Research, and Opera Callas loudspeakers, among others—but I sure had a great time.

M•A Recordings' Todd Garfinkle is proud to now offer Sera Una Noche’s beautiful La Segunda&#151on vinyl. Garfinkle explained that the source was upsampled to 5.6MHz and that the record was then cut "on the fly." The result is "a double-DSD–mastered LP."

Though they’d spent the last two years working on their Darwin Cable Company designs, Tony Bender (left) and Bill Magerman had only just met. Prior to this year’s RMAF, all of their communication had taken place via email and over the phone.

I first met Gary Gesellchen and Rick Kernen, the duo behind Vanatoo, at the 2012 Music Matters event, held at Definitive Audio in Seattle. At the time, Gesellchen and Kernen, who, through prior business relationships and active participation in the Pacific North West Audio Society, have known each other for 28 years, were just bringing their design to market. Now, the Vanatoo Transparent One powered loudspeaker ($499/pair) seems fully realized.

If you’re going to spend time scrubbing records, the task might as well be made fun and easy. That seems to have been Jonathan Monks’ goal when he designed the new discOveryOne record-cleaning machine ($2495, base price).