Joseph Audio’s immaculate Perspective loudspeaker is featured on the July issue’s cover and is treated to an in-depth review from John Atkinson. Revel’s superb Performa F208 tower speaker is also featured this month, along with the Classic reissue of Phase Technology’s best-selling PC-60 bookshelf. Art Dudley tries out the sound of DSD files with Luxman’s DA-06 processor, while radically different, ididosyncratic amplifiers from Miyajima in Japan and LFD in England are put under the aural spotlight.

Register to win a set of Audio-Technica SonicFuel ATH-OX7AMP premium on-ear headphones with built-in amplifier (MSRP $299.95) we are giving away.

According to the company:

The ATH-OX7AMP on-ear headphones deliver premium sound through large 40 mm drivers and built-in, high-output amplifiers that enhance any type of musical selection, maximizing the detail and clarity of your music like never before. The amplifiers run on a AAA battery (included), however batteries are not necessary for audio output – the headphones operate normally regardless of battery power.

[This Sweepstakes is now closed.]

"Why does John Atkinson devote so much of his time to loudspeakers selling for under a [sic] $1000?" wrote a correspondent to The Audiophile Network bulletin board in August, there being a clear implication in this question that "more expensive" always equates with "better" when it comes to loudspeakers. While it is true that the best-sounding, most neutral loudspeakers possessing the most extended low-frequency responses are always expensive, in my experience this most definitely does not mean that there is an automatic correlation between price and performance. I have heard many, many expensive loudspeakers whose higher prices merely buy grosser sets of tonal aberrations. For those on modest budgets, provided they have good turntables or CD players, a good pair of under-$1000 loudspeakers, coupled with good amplification, will always give a more musical sound than twice-the-price speakers driven by indifferent amplification and a compromised front end.

End of discussion.

I once told Larry Archibald it might be worth, say, a 10% loss in sound quality with CD not to have to jump up and turn over the damned record. Sometimes a CD saves you from popping up twice—Mahler's Fifth or Bruckner's Seventh on a single disc instead of three LP sides—or three times—Mozart's Magic Flute on three CDs instead of 6 LP sides. That might be worth a 15% sacrifice.