Floor Loudspeaker Reviews

Wonder how the 'Spinorama' graphs would look like of this speaker? :-) .......

So the Gibbon Xs are at the same price point as the Monitor Audio Platinum 300 II. As well as some Focal speakers. I'd be curious to read about a comparison.

A question for Jim Austin: I see that you own a Leben CS-600 integrated amplifier in the Associated Equipment section of the review. Did you try that amp with the Gibbon X? (I know this is one of the amps that Devore has shown the Gibbon with at shows.) If so, what were your impressions and how did it compare with the Pass and the PS Audio?

Is it the “presence region suckout” that makes its sound so appealing?

God-awful ugly measurements!

(Although, having said that, if everything else measures well, a tasteful presence-region dip is ALWAYS welcome here, after all the over-aggressive sounding speakers I've heard that measure completely flat through that region.)

Lower midrange/Upper bass? You mean the "power range"? BAH! We don't do that these days. It ruins the imaging.

@ John Atkinson: I am a keen reader of your measurement section, but of course I am well aware, that pleasure taken from listening via certain equipment and measurements of same equipment are not exactly the same thing nor fully correlating, but need to be put into relationship i.e. understood (the hard work!).
Thus I really wonder about the somewhat unusual disparity in the relationship of measurement vs percieved sound quality & joy of these speakers. Any findings/comments here?

tx for comment,

cheers
hb

There is a difference between comparing the sound of 2 well-engineered products, to a speaker like the DeVore, which does not seems to take any engineering into any account. It is hard to imagine why would anyone choose to build such a speaker on purpose.

tx, Indydan!!!

If we didn't have all these measurements, we would not know about all these deliberate design choices. Thank you again JA :-) .........

Almost 16 000 $ for a pair of loudspeakers. Almost same price as the Coincident. Many firms seem to be attracted by woodworking.

Yeah, yeah, measures crap and sound great? You want some oil with those fries?

I spent 2 years hunting for a speaker that sounded great with tube amps. That search ended with the Gibbon X. The most engaging listen in my room, on my system and with my music. Audio magic when paired with an Audio Research REF 75SE. Measurements are useful but hearing is believing.

Wow. Moments after I read this review (and thinking whether to post a reply) I was thinking upon the self-employed businessmen, particularly in the Hi-Fi business and the time-consuming commitment, stress, and responsibility in running said business.

Then I thought, well, at least Devore has friends within Stereophile and Mikey Lazagna plugging away on behalf of Devore loudspeakers.

THEN I thought, wait-a-minute, this is a $15K loudspeaker -BIG money.
If invested it should be done cautiously and wisely. Unassuming consumers should be informed -honestly.

For all the words spilled on the 'X's' subjective SQ impressions (that danced around as opposed to being clear and precise), at least Stereophile demonstrates the responsibility to consider and share some basic test-bench measurements -particularly important with loudspeakers.

And there, the answers lay; this $15K loudspeaker lacks the sophistication that a $15K loudspeaker demands. At that price point, there are several loudspeakers to consider, the finest (to my mind) being the KEF 'Reference 3' ($14K). The Ref-3 is a wonderful-sounding loudspeaker that also happens to be a very, very accurate, low-distortion loudspeaker. Heck, its little brother the 'REF-1' (at $8K/pair) is a fantastic loudspeaker. Both, are thoroughly engineered products. And it shows. I suspect other makes/models in that price range exist as well.

The point being, at the $10K price point, consumers should expect (and get) quality engineering and performance. At $15K-20K, even further refinement, even greater construction quality and accuracy.

Consumers should also expect (and get), honest subjective opinions regarding SQ along with some investigation and insight concerning the loudspeakers construction and engineering sophistication. Neither was offered here.
To make matters worse was finding/reading fellow Stereophile contributor M Lazagna's reply in the comments section.
Waxing poetic about a loudspeaker that measures poorly; far from accurate -or even desirable- casts a huge shadow of suspicion concerning the buddy-buddy relationships that appears to develop between reviewer's/magazines and some manufacturers.

If a business wants to play in the high-end market, they best be bringing some high-end skills -ensuring a competitive product.

This loudspeaker's test-bench results revealed a shockingly uneven (i.e. highly coloured) frequency balance -particularly concerning since today's most basic drive-units (aided by DIY cabinet/x-over rec's) easily offers up accurate, even/linear frequency response -and the fact that linear frequency response is considered so important a design objective.
Today, one must go out-of-their-way to mess up this most basic of loudspeaker performance expectations.

Most bizarre. Most disappointing.

In the end, as always: Caveat emptor.

pj