2016 Recommended Components Cables

Interconnects

AcroLink 7N-DA2090 Speciale: $2375/1.5m pair
The less-than-snappily named 7N-DA2090 Speciale is technically laudable; commendably, AcroLink publishes the specs for this product's resistance (18milliohm/meter) and electrostatic capacitance (56pF/meter). It's made of 99.99999% pure multistrand copper, arranged in what AcroLink calls a "balanced twin core structure." According to MF, substituting the AcroLink interconnect for his TARA Zero Evolution "produced sharper but not unnaturally defined transients, shorter sustain and decay, and an overall well-detailed and more speedy sound." (Vol.39 No.3)

Fono Acustica Virtuoso: $20,384/1.5m pair The conductors are an alloy of silver and gold (shades of Burl Ives!), the styling is Spanish Cowboy Baroque, and the price is enough to buy a brand-new Volkswagen Golf and a couple of Brooks Brothers suits. What does that add up to? According to MF, when substituted for his reference TARA Zero Evolution interconnect, the Fono Acustica made for "more graceful, almost cautious, romantic, but somehow still precise and well-detailed attacks, and long, long sustains." On switching back to the TARA, did Mikey miss the Fono Acustica? "Yes—but you can't have everything!" (Vol.39 No.3)

Audience Au24 SE: $1190/1m pair
Audience's latest interconnect uses an RCA plug of tellurium-copper alloy with a single, small contact point, meant to reduce the formation of eddy currents. Compared to Audience's Au24 e, the SE version offered superior detail, clarity, timing precision, and image focus, said BD. Au24 e owners can upgrade to SE status for $220. (Vol.36 No.12, Vol.37 No.2 WWW)

Audience Au24e: $990/1m pair, unbalanced; $1595/1m pair, balanced ★ The updated version of Audience's Au24 uses the same conductors, materials, and construction as the original, but requires a much more labor-intensive process to attach the terminations to the cable. With a tonal balance that fell midway between the cool-sounding Nordost Valhalla and the warmer Nirvana SL, the Audience Au24e had a powerful and immediate sound, with huge, fast, clean dynamics and transients. Compared to the original Au24, the "e" version had greater transparency and resolution, said BD. Costs to upgrade an original Au24 to "e" status are $195 unbalanced, $225 balanced. (Vol.33 No.6 WWW)

Audience Au24: $795/1m pair, unbalanced, $455/additional meter; $1350/1m pair, balanced, $845/additional meter ★ "The Au24s had a neutral, relaxed sound," said BD, "with good extension at the frequency extremes and a wide, deep soundstage." However, they did not reach the density of tonal colors and the extreme inner detail of the expensive Nordost Valhalla. Nor could they match the Nirvana S-X Ltds.' incredibly natural soundstage reproduction. Nevertheless, "The Au24s were no slouch, just a bit off the standard set by the very best I've heard." (Vol.25 No.8 WWW)

Audio Art Classic IC-3: $100/1m pair (RCAs), $125/1m pair (XLRs) "The IC-3—available with Audio Art's own gold-plated brass RCA plugs or, for $10 more, DH Labs' Ultimate XLR plugs—uses conductors of silver-coated, oxygen-free copper, a foam polyethylene dielectric, aluminum-Mylar shielding, and a PVC jacket. Compared to AudioQuest's Big Sur, the IC-3 lacked some midrange body and warmth but produced a pleasantly forward, detailed sound with an unusually wide soundstage, said SM. Sold direct with a 30-day, money-back guarantee. (Vol.37 No.2 WWW)

AudioQuest Big Sur: $109/1m
AudioQuest Golden Gate: $69/1m
AudioQuest Evergreen: $35/1m
AudioQuest Tower: $25/1m
AudioQuest's Bridges & Falls interconnects (of which these are the four least expensive models) put left and right channels in a single cable, thereby minimizing manufacturing costs while maximizing termination possibilities. Available terminations include RCA-to-RCA, mini-to-RCA, mini-to-mini, DIN-to-DIN, RCA-to-DIN, iPod-to-mini, or iPod-to-RCA, making these interconnects ideal for desktop and portable applications. The Tower and Evergreen use AQ's solid Long-Grain Copper (LGC) conductors. Golden Gate uses higher purity Perfect-Surface Copper (PSC) conductors. Big Sur uses even-higher-purity Perfect-Surface+ Copper (PSC+) conductors, and upgrades the other models' gold-plated RCA plugs to gold-plated plugs of pure purple copper. All four models are insulated with foamed polyethylene, and are attractive, well made, and very flexible. Moving up the line, SM heard improvements in image focus, tone color, drama, and overall clarity and extension. "If you're in the market for truly affordable, truly high-quality interconnects, I can think of no better place to start than AudioQuest," he concluded. SM used it between his laptop and PSB Alpha PS1 desktop speakers. Compared with the stock PS1 cable, the AQ produced a larger, more present overall sound, with deeper silences, longer decays, cleaner highs, more realistic bass, and richer tone color. "Suddenly, I had real high-fidelity sound coming from my laptop," SM enthused. (Vol.36 Nos.7, 8, Evergreen; Vol.36 No.10 WWW)

AudioQuest Earth (balanced): $750/0.5m pair
KR, who hates wrestling with stiff cables even more than Rick Grimes hates wrestling with stiffs, has welcomed into his home a set of AudioQuest's Earth balanced interconnects, terminated with XLR plugs and featuring AQ's 72V Dielectric Bias System (DBS). Cable conductors are solid, perfect-surface copper, while the plugs are high-purity red copper with hanging-silver plating. KR's only disappointment: AQ's omission of a latching feature from the "otherwise impressively designed" XLRs. (Vol.38 No.9 WWW)

BIS Expression: $480 (Canadian)/1m pair
From Quebec-based BIS Audio comes their middle-of-the-line interconnect, the Expression: a cable of moderate thickness and flexibility, covered in a sheath of braided polymer and terminated with Eichmann BulletPlugs (RCA). AD found that the BIS Expression allowed his system to perform "with good drive and momentum," and while the Canadian interconnect lacked the subtler musical and sonic strengths of his more-expensive Audio Notes and Shindos, the BIS performed "somewhat better . . . than its relatively humble price predicted." (Vol.38 No.6 WWW)

Cardas Audio Clear Rev.1: $2020/1m pair, balanced; $1840/1m pair, unbalanced Rev.1 applies to both Cardas's Clear balanced and single-ended interconnects; JM tested the balanced version, which incorporates Cardas's heavy, gold-plated CG XLR plugs. With the Rev.1 in his system, JM gained significant measures of detail and transparency. (Vol.36 No.12 WWW)

Kimber Hero: $329/1m pair with WBT-0114 ★
The "strong, silent type" when it comes to cables, says the inestimable JM. "And reasonably priced, into the bargain." (NR, but see "The Fifth Element" in Vol.33 No.6 WWW)

Kimber PBJ: $117/1m pair, as reviewed ★ Originally released in the late 1980s, PBJ is a minimalist design comprising three high-quality, multistrand wires in individual Teflon jackets, braided together and terminated with Kimber's Ultraplate connectors. With the PBJs in his system, SM heard greater clarity, detail, depth, and presence. Compared to AudioQuest's Sidewinder, the PBJ lacked body and warmth but was more muscular, insistent, and precise, said SM. (Vol.35 No.6 WWW)

Kimber Kable Tonik: $84/1m pair
Kimber's most affordable interconnect uses three stranded copper wires neatly braided in a noise-canceling pattern. Though they lacked the resolution of much more expensive interconnects, the Toniks "offered clarity without brightness, and reasonably good amounts of color, texture, and touch. For $80, that was A-okay with me," said AD. Price includes Kimber's Ultratike connectors. (Vol.34 No.11 WWW)

Kubala-Sosna Elation Interconnect: ??000/pair first meter, ?200/each additional meter Expensive but superbly transparent interconnect that JA found worked synergistically with YG's Sonja 1.3 speakers. (NR)

Kubala-Sosna Anticipation: $400/m pair; $150/additional meter ★
Like the K-S speaker cables (see "Loudspeaker Cables"), the K-S interconnects are based on a low characteristic impedance and solid construction. The results are uncolored sound and extremely low noise pickup. (Vol.29 No.7 WWW)

MIT CVT Terminator 2: $899/1m pair ★
Cut from the same sonic cloth as the CVT Terminator 2 speaker cable, this interconnect had a detailed, uncolored midrange, and offered superb dynamic articulation. Compared to MIT's older, more expensive MI-350 CVTwin, the CVT Terminator 2 had greater bass extension, clarity, and high-level dynamic slam. (Vol.31 No.10 WWW)

Pure Silver Connection (PSC) PST 8: $1500/1m pair ★
Balanced interconnects featuring solid, silver-plated 6N copper and round conductors. LG reported that they reduced system hum problems and were "highly recommended!" Price is for both balanced and unbalanced interconnects. (NR)

Stealth Sakra interconnect: $11,000/1m, $7000 each additional meter; balanced version fitted with XLRs: $14,000/1m pair, $10,000 each additional meter ★ Lightweight, very flexible, and finished in an outer jacket of near-opalescent white, the Sakra interconnect is built into a hermetically sealed, helium-filled tube and terminated with proprietary solid-silver connectors. The overall sound was open and clean, with lightning-fast attacks, generous sustains, and long decays. Compared to the TARA Labs Zero, the Sakra had a bit more midrange body and texture but lacked some air and speed, felt Mikey. (Vol.34 No.6)

TARA Labs Zero Evolution: $18,000/1m "The Zero Evolution is an all-new, physically flexible, easier to manage air-dielectric interconnect than the original Zero withˇnon-insulated square solid-core conductors. Because neither end of The Zero Evolution's shield is attached to ground, TARA employs the Floating Ground Station, a heavy, black box containing Ceralex, a combination of ceramic materials and metallic compounds that absorbs RFI and EMI. Switching from the original Zero to the new Evolution Zero, MF's system benefited yet further from an enormous addition of lushness, texture, and warmth, along with major extensions of air, detail, and transparency. Due to The Evolution Zero's ultrawide bandwidth, some outside transient noise can leak into the system when nearby appliances are activated. But—"I've heard nothing like it," he declares, adding "a genuine breakthrough, though hideously expensive. The TARA Labs Evolution Zero had a fast, clean, open overall sound, with airy highs and tight bass. The Evolution upgrade adds the rich, textured midrange of the Stealth Sakra, while continuing to produce faster attacks, longer sustains, and deeper decays, said MF." (Vol.29 No.12, Zero; Vol.34 No.6 WWW, Zero Gold; Vol.36 No.11, Zero Evolution)

TARA Labs Zero GX DIN-to-RCA tonearm cable: $3800/1.0m ★
Though it was "somewhat bereft of physicality," the Zero GX's accentuated sibilants and precise attack made it "a good choice for detail devotees," said MF. (Vol.32 No.7)

Tellurium Q Black: $500/1m pair
A new company based in Somerset, UK, Tellurium Q is a cable specialist offering three lines of products, with Black squarely in the middle. JM responded well to a pair of Black balanced interconnects, which he found "on the slightly warm or musical side of neutral," and praised for sounding "quieter and far less closed-in at the top" than his comparatively plebian Canare interconnects. Extra points for emphasizing engineering over fancy packaging. According to JM, this entry-level-premium cable line is "well worth exploring." (Vol.38 No.4 WWW)

Teresonic Clarison Gold: $3495/1m pair
The Clarison Gold is handmade using gold-plated crimp sleeves and gold-plated RCA plugs. Its solid-gold conductors are enclosed in a spiral-wound, galvanized ferromagnetic material. Though it lacked the detail resolution of the much more expensive TARA Labs Zero, the Clarison Gold was dead quiet and produced sweet highs, a lush midrange, and clean bass, said MF. (Vol.36 No.8)

Wireworld Platinum Eclipse 7: $3000/1m pair
Though it wasn't as transparent as the TARA Labs Zero, when used with the Constellation Centaur Mono monoblock amplifiers, the Eclipse 7 "produced a much better overall picture in terms of tonality, texture, and transients," said Mikey. (Vol.36 No.11)

Deletions

Signal Cable Analog One & Two not auditioned recently.

Loudspeaker Cables

Audience Au24: $1925/3m pair, single wire, $450/additional meter; $3450/3m pair, biwire, $845 additional meter ★ "It was as a speaker cable that the Au24 really shone." BD actually preferred the Au24 to his reference Valhalla in terms of tonal balance, imaging, resolution of inner detail, and soundstaging. (Vol.25 No.8 WWW)

Audience Au24e: $1795.50/2m pair ★
Original Au24 can be upgraded to "e" status for $300. $400 each additional meter. See "Interconnects." JA found the Au24e to sound too warm with the Vivid B1s. (Vol.33 No.6, Vol. 34 No.10 WWW)

Audio Art Classic SC-5: $235/10ft pair (spades), $240/10ft pair (bananas) The SC-5 has silver-coated OFC conductors (14AWG), a foam polyethylene dielectric, a PVC jacket, and an internal packet of vibration-absorbing fibers. It can be terminated with gold-plated brass banana plugs or, for $10 less, DH Labs' gold-plated copper spade lugs. Compared to AudioQuest's Rocket 33, the SC-5 lacked body, weight, and warmth, but produced a detailed, dramatic overall sound, with clean transients and impressive dynamics, said SM. Sold direct with a 30-day, money-back guarantee. (Vol.37 No.2 WWW)

AudioQuest Oak: $3040/8' pair
AudioQuest's Oak speaker cable, available terminated for full-range, biwiring, double biwiring, or bi-amping, features double-counterspiral conductor geometry and AQ's 72V Dielectric Bias System (DBS). KR, who actually admits to not obsessing over cables—"confesses" would be more like it!—has now switched from older AudioQuest cables terminated with spade lugs to a set of Oaks terminated with AQ's SureGrip silver-plated beryllium-copper banana plugs, which "fit so tightly into the amp and speaker terminals that I can just barely insert or remove them by hand." (Vol.38 No.9 WWW)

AudioQuest Rocket 33: $329/10ft pair ★
AudioQuest's 14AWG, solid-core Rocket 33 speaker cable offered an exciting leap in performance over SM's RadioShack Flat Megacable speaker wire, infusing music with more low-level resolution, transient speed, clarity, and physicality. (Vol.34 No.9, Vol.37 No.2 WWW)

Cardas Clear rev.1: $4085/2m pair, terminated in spades ★ JM was most impressed by the Cardas Clear's low-frequency clarity and resolution, finding the Clear to give two or three more bass notes on a pipe organ, with a lower noise floor and "spooky" resolution compared with his reference MIT MH-770 CVTerminator cables. "The best-sounding cables I have heard," he concluded. JA agrees that these are fine-sounding cables. (Vol.33 No.10 WWW)

Kimber 8TC: $505/10ft pair w/o connectors ★
(NR, but see "The Fifth Element" in Vol.33 No.6 WWW)

Kimber 8VS: $271/10ft pair, as reviewed ★ "Kimber's 8VS is made up of eight gray and eight black conductors in individual polyethylene jackets, braided together and terminated in a choice of high-quality spade lugs or banana plugs. Compared to AudioQuest's Rocket 33, the 8VS lacked body and warmth but offered greater clarity and control, said SM. Compared to Kimber's 4PR, the 8VS offered similar tonal qualities but presented music with even greater urgency, drama, and purpose, said SM. Price is $231/10ft pair without connectors, $271/10ft pair with bananas. (Vol.35 Nos.6 & 7 WWW)

Kimber 4PR: $137/10ft pair, as reviewed Practically unchanged since its introduction in 1979, the 4PR is Kimber's most affordable speaker cable. It employs the same braided geometry found in the company's more expensive 8VS, but instead of the 8VS's eight gray and eight black conductors, the 4PR has four pairs each of black and brown conductors in an apparently looser braid. Compared to RadioShack's inexpensive 16-gauge zip cord, the 4PR offered greater nuance, detail, clarity, and bass control, said SM. Price is $90/10ft pair without connectors. (Vol.35 No.7 WWW)

Kubala-Sosna Elation Speaker Cable: $6000/pair first meter, $200/each additional meter A JA favorite. See "Interconnects." (NR)

Kubala-Sosna Fascination: $950/m pair; $300/additional meter ★
Kubala-Sosna claims that their OptimiZ technology "results in a lower characteristic impedance and a higher ratio of capacitance to inductance than any other cable." Each cable consists of a hefty pair of conductors twisted around each other, sheathed with a knitted cover, and solidly terminated in thick spade lugs. The current versions have sleek, tight jackets that make them easy to snake and arrange. With the K-S cables in his system, KR noted a decrease in overall residual hiss and softer but more precise highs. "I can't say that the change is substantial, but it is definable." Further auditioning with his multi-channel system completely wired with K-S cables led him to describe these cables as among the quietest and most transparent cables he has encountered: "Overall, they seem to get out of the way of everything else and let the system do its thing." (Vol.28 No.3, Vol.29 No.7 WWW)

MIT CVT Terminator 2: $1999/8ft pair ★ "Compared with earlier MIT cable designs, the CVT Terminator 2 has additional "pole networks" for wider bandwidth, and adds the CVT Coupler input module to minimize energy reflection. It offered "clear, crisp, clean highs" and outstanding dynamic articulation, but had "a touch of warmth" in the low end, said BJR. Biwire version costs $1299/8ft pair. (Vol.31 No.10)

Naim NACA5: $25/ft $$$ ★
Inexpensive spaced-twin cable that ST found to work well with the Spendor S100 loudspeaker. Unchanged in Naim's product line since 1986, the NACA5 is made of two chunky runs of stranded heavy-gauge wire twisted into a very tight bundle and molded into a thick sheath of Teflon. "Stiffer than Swedish roadkill," said AD. Compared to RadioShack's inexpensive SW-1650 speaker wire, however, the unwieldy NACA5 was better at communicating pitch relationships and had "a more realistic sense of flow." Worth investigating as a good-value cable, thinks JA. (Vol.32 No.8 WWW)

Nirvana Audio S-X Ltd.: $2780/2.5m pair ★ "A dynamite speaker cable," the S-X Ltd. was tonally neutral and produced well-defined images, powerful and fast transients, and incredible transparency. The only nit BD could pick was a slight compression of front-to-back soundstaging depth. "A big jump in performance from the company's SL." Add $50/pair for biwire configuration. (Vol.28 No.10 WWW)

Stealth Dream V10: $12,400/2m pair, $6000 each additional meter ★ The hermetically sealed, helium-filled Dream V10 is a thick yet flexible cable made of three flat solid-silver wires and a conductive carbon-fiber core. Compared to the TARA Labs Omega Onyx, the Stealth cable had a richer, warmer sound, with a softer attack for a slower overall musical flow. Partnered with the Stealth Sakra interconnects, the Dream V10 cable produced a more textured midrange but lacked the TARA's upper-octave air, said MF. Bi-wiring adds $1300 regardless of cables' length. (Vol.34 No.6)

TARA Labs Omega Evolution SP: $32,000/8' "The recent and physically flexible TARA Labs Omega Evolution, incorporating almost twice as many rectangular, solid-core elements of "8 nines" (99.999999%) oxygen-free copper (280 vs the Gold's 156), adds the speed, transparency, dimensionality, and, especially, textural suppleness that the previous Gold cable lacked, thus losing the Gold's "somewhat laid-back overall sound" while paying no sonic penalty for the major improvements, said Mikey. Even more recent is TARA's Omega Evolution SP speaker cable, a higher-inductance and identically priced variant intended as a better match for amplifiers with very low damping factors and/or speakers that present distinctly reactive loads. In his system, in comparison with the less expensive TARA Omega Golds, MF found the Omega Evolution SPs to offer "more precise note attacks" and "greater textural nuance," among other attributes. (Vol.36 No.11, Vol.38 No.12)

TARA Labs Omega Gold: $24,000/8ft Compared to the Wireworld Platinum Eclipse 7, the TARA Labs Omega Gold has a somewhat laid-back overall sounded that lacked ultimate transparency, three-dimensionality, and transient speed, said Mikey. (Vol.36 No.11)

Wireworld Platinum Eclipse 7: $24,400/3m pair Compared to the new TARA Labs Omega Evolution, the Platinum Eclipse 7 is equally transparent, resolving, and dimensional, but less texturally supple and extended on top, with a less richly drawn midrange, said MF. (Vol.36 No.11)

Digital Data Interconnects

AudioQuest Forest iPod–USB cable: $39/1.5m
If you use your iPod or iPhone plugged into your system with the ubiquitous white USB cable, pick up this inexpensive replacement. Bits may be bits, but you'll be gob-smacked by the improvement in sound quality sez JA. (NR)

Canare DigiFlex Gold model RCAPOO3F: approx. $19.37/3ft $$$ ★
Before you try any of the expensive coaxial links, CG advises trying this inexpensive, true 75 ohm cable with Canare crimp RCA connectors. He rates it as his first choice in a digital cable at any price, even preferring it to the Kimber AGDL. JA uses the 110-ohm version in various lengths for CD mastering. (Vol.16 No.7)

DH Labs Silver Sonic D-110 AES/EBU: $99/1m
(NR, but see EL's review of the Bel Canto DAC3.5VB in Vol.34 No.6 WWW)

Kimber Orchid: $757.50/1m ★
Expensive, but the best AES/EBU link JA has used. J-10 loved the Orchid's midrange liquidity and detail, but preferred Illumination's S/PDIF cable overall. SD (almost) doesn't equivocate: "Probably the best out there for now....A stunner!" RH and RD are also fans. New lower price usefully brings this cable in reach of more music lovers. (Vol.19 No.5)

Kubala-Sosna Expression: $775/m, $210/additional meter ★ "A KR favorite. See "Loudspeaker Cables." (Vol.29 No.7 WWW)

Transparent Audio Performance USB: $100/1m
The Performance USB uses heavy-gauge conductors, robust connectors, and high-quality dielectrics and shielding, and can be used in runs of up to 30'. In addition to being significantly more durable than Art's reference Belkin cable, the Performance USB was quieter and produced blacker silences. Price increases by $30 for each additional meter. (Vol.33 No.1 WWW)

COMMENTS
Staxguy's picture

Class A

Audeze LCD-X: Why would you consider the Audeze LCD-X over the Audeze LCD-3? The Audeze LCD-3, though veiled, "digital" (too few bits of detail), and non-liquid, at least presents music as beautiful.

Not only this, but it (3) is a personal luxury product, with a gorgeous headband, ear-pads, and wood ear-cups.

There also is the issue of it (3) having phenomenal bass, on the non-Fazor version.

The LCD-X? It sounds like absolutely nothing. By nothing, one means about $600.

Audender Flow

Giving that you are Stereophile, this would be great in the Class C department. It has DSD, etc. and decent specs, but no balanced out, so no headphone enthusiast would consider using it.

Chord Mojo: A great DAC/amp. Great that you have it in Class A.

Sennheiser 650/600: certainly very comfortable, but no match for the 580. ;) While neither sounds like shit (the 600 is more natural), they lack any detail and air, although their true comfort makes them fantastic computer speakers. Still, Class C.

HiFiMan 400i: Shouldn't it be the HE-6? Where is the HE 1000? This is Class A guys.

Sennheiser IE 800: Where is this? Perhaps more detailed and fast than the HD-800 and only $1000. ($800 US). Obviously, no imaging like the HD. What an amazing headphone, the HD 800.

Omissions: Shouldn't the class A be the Stax 009 and perhaps some excessive (read: expensive) headphone amplifiers? Om.

Class B

Apogee Groove. Ok. Great. A pro-audio device.

Audeze EL-8: What? Ok. This one sounds like shit. Ok, have only heard the closed. Great cheap price ($699) and design job by BMW, but terrible sound an not even a part of the LCD-2. What a looser.

Audioquest Nighthawlk: Huh? Wah.

B&W P3: Why the P3 and not the P5 or P7? Isn't the quality of the P3 pathetic? Sound, gentlemen, sound.

CEEntrence DACPort: Ok. Great device. How about more CEntrance. Great specs.!

Master & Dynamic MD40: Is this a poor men's clothing magazine?

PSB M4U: Shouldn't this be Class E?

Class C:

Audioengine D3: for $149 a great made device with great components. However, the sound is worse than the stock Intel audio chip you'll have in your PC. Does have less hum and noise than an-in PC chip, though.

Overall: Where are the audiophile components?

Sorry to be a party-pooper.

dalethorn's picture

Mostly agree. Headphones don't seem as accurately covered here as the big stuff. Maybe the headphones and other portable gear should be covered entirely by Innerfidelity, in Stereophile Recommended Components.

Glotz's picture

Naw, just haughty, arrogant and disrespectful.

They reviewed various products for the magazine, and this is the list they came up with. The classes are explained in full, in relation to the other products's performance that have made the list. Older products, sometimes equally capable as current products listed, are removed due to age. Lastly, most reviewers have their own benchmarks and their own opinions about component performance, hence their choice of placement in the classes.

You can disagree all you want man, just do it with a modicum of respect. If you want to start your own magazine, go for it dude.

K.Reid's picture

Glad to see this mighty monitor included in Class A restricted low frequency. Very well deserved and impeccably engineered at a fair price. Most importantly it sounds great. An excellent effort by the folks at Technics. It's obvious they care about and love music by making a product like this.

Anon2's picture

I read JA's assessment of the Arcam A19 regarding its ability to handle low impedance, high volume listening.

I wanted to add my own, perhaps less scientific assessment of the Arcam A18 predecessor model.

I have my Arcam A18 integrated connected to Canton Ergo 32DC speakers whose impedance range is listed as 4...8 Ohm, 87 dB by the manufacturer. The owner's manual for my speakers, of about year 2000 vintage, states that the speakers can be "unhesitatingly operated with any standard amplifier" (with some small qualifications later in the manual).

Stereophile's tests of other Canton speakers show that the speakers tend to operate more towards the 4, rather than the 8 Ohm range of input impedance.

I have used my Canton speakers with my demo model Arcam A18 for several years now. I am not a loud volume listener, but I like room filling sound. For a benchmark of my listening, I will say that audio show rooms, for example, are, for the most part, way too loud.

I did a test this morning. On the integrated's volume range of 1 to 99, I did some listening around 38 on the volume scale. I listened to a Chandos recording of Bryden Thomson's LSO recording of Vaughn Willams's 8th Symphony and assorted string works (Chandos 8828, a great audiophile recording still in circulation). This volume is adequate to fill the room amply with sound. Vaughn Williams works will require a bit more gas-pedal than other orchestral works.

Then, for some higher octane listening, but with the volume set at the same 38 position, I did another test. I listened to the great recording of Don Juan, with the Cleveland Orchestra, and the late great Lorin Maazel (CBS Masterworks MDK 44909). If I had finicky neighbors adjacent to my listening room for this session, they might have complained over the volume in some sections of this work.

After listening to these CD tracks, I put my hand over the unobstructed top ventilation grate on the Arcam A18. After feeling the heat, which was almost imperceptible, I then put my hand to my cheek. After 5 seconds the heat from my cheek was noticeably warmer.

I'd guess that John's assessment would apply particularly--without mentioning brands--to low efficiency low impedance speakers, of the 84-85 dB and/or 4 Ohms nominal varieties. But for my speakers the Arcam never seems over-taxed, and certainly never clips with the music and volume settings that I employ.

If you are a moderate-to-room filling volume listener, have stand-mount speakers of 87-88 dB, and 8 Ohm nominal impedance, and love peerless sound, I'd say buy the Arcam A19 without hesitation. I'm not a dealer or a professional, but that's my assessment. A reader wrote in the Stereophile review of the A19 that he found the A19 to be a big improvement from the A18. My dealer says that if you have an A18, you can probably live with it without going to the A19.

Other publications, that score products in their reviews, show the Arcam A18/A19 models garnering the highest scores of the Arcam integrated amp line-up.

Those are my two cents on the Arcam A19.

makarisma's picture

What about products from companies such as T+A, YBA, Linn, McIntosh, etc., all of which also have outstanding models in the listed catagories?

pablolie's picture

based on the reviews, it seems to defy logic you give the Benchmark AHB2 a class A rating, and the NAD M22 a class B. to quote your own review, the AHB2 "failed to be as lively or exciting as the NAD". oddly enough, the word "loss" is not mentioned anywhere in the M22's review, so it surprises me it shows up in the recommended equipment guide.

sharethemusic's picture

i am the proud owner of raven audio amplification. "THE RAVEN" a 3oob tube based integrated amplifier. There can be no better amplification in the world. You see right thru the music. Your are drawn into it. All the details of the recording are there.Is there colorization by the tubes? Not sure.i can only tell you the music sounds exactly as intended and as natural and neutral as can be.it is rated at 15 watts per channel..Some may not understand. Raven audios 10 watts,is another tube companies 40 watts and solid states 80 watts. It is in the power supply and voltage regulation that all the power of god on earth is unleashed. the power is more than enough to fill my 20x 20 room with blasting clear,warm glorious sound. i have owned mcintosh,krell ,NAD AND MARK LEVINSON. There really isnt anything but maybe my old mac that sounds even close to the raven. andy rothman sharethemusic@aol.com

Ladokguy1's picture

I know Art Dudley has used Auditorium cables as a reference for several years, any reason they are not listed in Recommended Components?

AndySingh's picture

Hello

I went to my local store - Overture Audio, and auditioned the GoldenEar Aon 2 and Dynaudio Emit M10.

Listening to the M10's, I am surprised they (or other Dynaudio products) have never been reviewed on your site.

Is there a Dynaudio review on the horizon?

Glideyork's picture

Hi,

I bought the Dynaudio m20 few weeks ago. I'm not really expert, but I think my amp (yamaha r-n500) is not enough powerful for these speakers. If you make some emit reviews, could you give us some advices about the good amps to associate with :/

Thanks for all the other really interesting articles.

AndySingh's picture

Speaking to Northwoods AV of Grand Rapids, MI, I was told that Yamaha Aventage 750/760 would be a good choice for 4 ohm speakers such as Dynaudio Emit M20.

The dealer claimed he was running Magnepans off of these. For a stereo setup, this receiver would do, however they probably only support 4 ohm impedance for front left and right.

The power output would not be a concern for a stereo setup.

gasolin's picture

I use the Marantz PM8005 and that is the smallest amp i would recommend for the Dynaudio emit m10's

z24069's picture

There are some fine choices on the Transports, Digital Processors, Preamp and Amp listings. I am puzzled however at the total lack of mention of any Esoteric Audio product. They are current products well known for their performance and musicality. What criteria being utilized could yield a recommended components lists where at least one of their products (or more) would not make it into the results?

Waves200's picture

Oh to live in a country with a reasonable rate of exchange! Our local Velodyne distributors have the DD+ 15-inch sub listed at the equivalent of almost $2000 more than the listed RRP is in the US. By the time that customs and excise is added to the cost, and the retailers have added their markup, you would be paying almost as much for the 15 inch model as you would for a new family car!