What software would you like to see on SACD or DVD-A?
Sony announced several new titles for SACD release, including titles by Bob Dylan, The Police, and Pink Floyd, at the recent CES. What titles would you pick for the high-rez treatment?
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If you could meet any musician or composer, alive or dead, who would it be? Why?
Last week's poll revealed a wide variety of musical meetings. But if you could choose to meet any musician or composer, no matter when he or she lived, who would it be? Why would that person be your choice?
Who is the most important (to you) musician you've ever personally met?
We've all seen dozens, if not hundreds, of great musicians play live. But who have you personally met who you would rate as a great musician or composer?
Last week's Soapbox delved into the subject of musical preferences. Do you think your musical taste is something you were born with, or was it shaped by your environment?
Where did your taste in music come from? Please explain.
What is your pick for best music release for 2002?
As we wrap up the year, what do you consider the best CD, LP, SACD, or DVD-A release from 2002?
What is your 2002 Product of the Year?
The December issue sees <I>Stereophile</I> publish its 2002 "Products of theYear" (<A HREF="http://www.stereophile.com/showarchives.cgi?724">added to the website</A> this week). The reviewers and editor have made their choices, so what are yours?
When you read a Stereophile review, how important are the measurements and graphs?
In the December issue, JA discusses measurement graphs that don't jibe with real-world performance. Even though they sometimes don't seem to reinforce a reviewer's opinion, are the graphs and measurements with each review important to you?
How many times have you played your most-played disc?
We've all got a disc or two that we keep playing over and over, whether for system testing or the sheer love of the music. Which disc does it for you, and how many times have you listened to it?
Do you lend discs out to your pals?
Some of us find ourselves turning into music lending libraries; the rest of us keep our discs under lock and key. Can your pals borrow your discs?
How's your hearing?
In addition to our audio equipment, our ears are very important parts of the audiophile equation. How would you rate your hearing?