Columns Retired Columns & Blogs |
Everything that exists on vinyl.
Sony announced several new titles for SACD release, including titles by Bob Dylan, The Police, and Pink Floyd, at the recent CES. What titles would you pick for the high-rez treatment?
Scores from Gladiator, Aliens, and American Beauty. All of Holly Cole, Simon and Garfunkel, Steely Dan, Bangles, Heart, and Supertramp. And only from analog transfers, no PCM transfers, when possible. For SACD surround I'll accept new recordings made that way, no fake surround sound.
Van Morrison's Astral Weeks, Pink Floyd's The Wall, Oh Brother Where Art Thou? soundtrack, Counting Crows' August and Everything After, George Michael's Faith, Jack Johnson's Brushfire Fairytales, Supertramp's Breakfast in America, Gershwin's Rhapsody in Blue and Grofe's Grand Canyon Suite, some David Bowie, Paul Simon, Etta James, and for a party on a disc
None. Boycott these new formats until the megacorps have decided on a single, best-of-all-worlds disc. You don't have to do their market research for them and you sure as hell shouldn't be paying them for the privilege. Don't get me wrong; I'm not a Luddite. As soon as this ridiculous format war is settled, I shall buy into the winner with great enthusiasm and doubtless infuriate my bank manager all over again.
How about some new recordings instead of more reissues? I guess I'm just being silly. For SACD reissues: Led Zeppelin, Joan Baez (Best of on Vanguard), Peter Gabriel, Kraftwerk, Jefferson Starship, RUSH, Andreas Vollenweider, David Bowie, Tangerine Dream, Mouse on Mars, Paul van Dyk, John Digweed, and Screamin' Jay Hawkins.