Stephen Mejias

During the final episode of Radio Happy Hour, held at Manhattan’s Le Poisson Rouge on Friday, August 12, we were treated to performances by New York five-piece, Twin Sister. The band played a selection of songs from In Heaven, an unabashed pop album full of hooks and charms, to be released by Domino on September 27.

I was drawn to this music from its earliest moments&#151those celestial and far-reaching chimes, old-school synth beats, and Andrea Estella’s arresting vocal delivery, a strange and glittering coo, reaching out to “Daniel”:

The Magico Q1 two-way monitor, first seen at the California Audio Show earlier this year, will make its New York debut during the Grand Opening of the new EarsNova showroom at 3 East 28th Street, in Manhattan.

It’s a beautiful day in NYC: sunny, 80 degrees, with a slight breeze and low humidity&#151a perfect day for an outdoor concert. Later this afternoon, I’ll head out to Prospect Park in Brooklyn, meet up with Natalie and Nicole&#151Kristin will be there, too&#151and enjoy a “Celebrate Brooklyn” event featuring Foster the People, Midnight Magic, and Cut Copy.

Mirror Mirror, the third album from Glasgow band Sons & Daughters, opens with a single note from a vintage synth. Barely audible at first, it grows and grows and rises vertically in the soundstage&#151for 15 seconds it grows: a sharp white light in an otherwise dark room&#151building tension, warning of some sort of danger, as it goes. This high-pitched note is met first by stomping feet, then by clapping hands&#151single file and far, far off, but growing in size and intensity&#151before finally being joined by the voices of Adele Bethel and Scott Paterson, singing, strangely singing, barely singing at all, more chanting, intoning, repeating, casting:

On the first day of the California Audio Show, I heard some of the most beautiful music in a room hosted by Acoustic Analysis, The Tape Project, and Bottlehead, featuring a system made of Focal Diablo Utopia loudspeakers, Focal SW1000 Be subwoofers, a VTL TL-6.5 Signature line preamp and MB-450 Signature III monoblock power amplifiers, Siltech cables, and a Bottlehead-modified Otari tape machine. The music had such a smooth, effortless quality to it, unlike anything else I heard at the show: The sound of tape. It was an awesome listening experience.

On the following evening, I got to visit the mastering studio where the team from The Tape Project does its work.

This is absolutely outstanding. Please watch and listen as sound expert Julian Treasure offers strategies for re-tuning our ears.

Via TED. (Thanks for the link, SP.)

I don’t really know what to say about this, so I’ll just quote the press release:

The role of an High End amplifier is to reproduce the music, all the music.

Amateur of beautiful often unique parts, GoldAmp is the Only One. An exceptional musical know-how. Celebrate interpreter who knows how to be forgot. A magnificent story which can be told by moments of complicity in the emotion. Reunion with classicals works henceforth dear to our hearts.