Robert Baird

You either buy it or you don’t. That’s the way I felt coming out of the Bell House last week in Brooklyn after watching Norah Jones, guitarist Jim Campilongo, bassist Lee Alexander, drummer Dan Reiser and guitarist/singer Richard Julien—i.e. The Little Willies— do their thing.

Okay, so now that we’ve all done our duty and held new babies, eaten dry turkey, listened to insane political diatribes and generally spent nothing but super terrific quality time with our families, not to mention paid fealty to the whole “it’s more blessed to give than to receive” rot, it’s time to get serious and talk about what WE want.

Usually, when friends become book authors, you tend to fawn a little too much over their golden meanderings. In my case, the opposite unwittingly happened when I tacked a short mention onto a recent Aural Robert that did not begin to do justice to Stereophile Contributing Editor Robert Levine’s Weep, Shudder, Die, A Guide To Loving Opera (It!/Harper Collins, 2011)

There are a lot of reasons to love Gotham—most of them having to do with humans `cause let’s face it there just aren’t many mountain vistas here—but the one that tickles my fancy the most is what Billy Joel (sorry) famously called, the “New York State of Mind.” Jay–Z would have it “Empire State of Mind,” but you get the idea. After a premiere showing of Sounds and Silence, Travels with Manfred Eicher, the new film about the ECM founder, owner and inspiration, there was a brief Q&A period chaired by WNYC's Julie Burstein (left in JA's iPhone photo). The first hand up was in the back of the IFC Center in the West Village.

They’re invisible. The person you never see onstage. The essential unseen force that even hardcore music fans have never heard of. In all music, arrangers are the secret weapon who never get the credit they deserve

Talk about the R.E.M. catalog with most music people and the conversation usually comes down to albums released during the years the band spent on its original label, the late, great I.R.S. Records.

If you measure success as confusing people, provoking discussions, evoking strong feelings, keeping listeners off balance, creating opposing camps, having the same record hated and loved by equal minorities, then Circuital by My Morning Jacket is already a big hit.