Recording of the Month

Bax: Symphony No.5 in c sharp
London Philharmonic Orchestra; Raymond Leppard, conductor.
Musical Heritage Society MHS-1652 (LP, From Lyrita SRCS-58).

Sir Arnold Bax (1883–1953) completed his fifth symphony in 1932 and dedicated it to Sibelius. Its first performance was conducted by Sir Thomas Beecham in 1934. Have any of our major orchestras ever played it? Not to my knowledge, and after over 40 years, it's about time. At least we have it on disc now, in addition to The Garden of Fand and Tintagel. Lyrita has even more Bax in their catalog.

For a long time there, it seemed like anyone who walked into a good hi-fi shop and used the word "rock" and/or "bass" had a better-than-even chance of being "Lucky Man-ed" until his ears bled. I'm choosing Brain Salad Surgery as my favorite currently popular Rock offering partly because I've had it long enough to get over the first, transitory, blush of enjoyment, and mainly because most of the people I run into who have high-quality systems rate this group as one of the best. And EL&P come out with some very high-quality discs, making them the system demo group. I know of several expensive speaker systems that have been listed KIA as a result of several-hundred-watt amps and EL&P.

You have probably read speaker reports that suggested that you audition with natural sounds like clanking chains, storms, animals and other things that give an easy reference to live experience. The problem is that most sound-effects albums are a real bore, dominated by reject Walt Disney announcers with adenoid problems.

Christian McBride Big Band: Bringin' It
Mack Avenue Mac 1115 (CD). 2017. Gretchen Valade, exec prod.; Christian McBride, prod.; Todd Whitelock, assoc. prod., eng.; Timothy Marchiafava, asst. eng. ADD? TT: 68:59
Performance ****½
Sonics *****

As musical movements go, rock and jazz seem to be running out of new ideas, most of the stylistic pathways in both genres having been explored to their logical conclusions. In rock in particular, every stream of inspiration has been followed past its headwaters, every droplet of inspiration wrung from established forms.

Direct From Cleveland
Orchestral works by De Falla, Bizet, Tchaikovsky, Berlioz
The Cleveland Orchestra, Lorin Maazel (cond.)
Telarc 5020 DD1 (LP). Robert Woods, prod.; Jack Renner, sound eng.; Glenn Glancy, Michael Bishop, disc-cutting engs.

Potentially the best news for perfectionists in years is the announcement of the first stereophonic direct-to-disc recording (in the US, at least) of a major symphony orchestra. Advent records of Cleveland, in collaboration with Discwasher, Inc. of Columbia, MO put four complete and usable runsthrough onto two sets of lacquers. The program was a collection of potboilers—what Sir Thomas Beecham used to call "lollypops"—much of it musically rather trivial, but all ideally suited for demonstrating what a no-holds barred recording can do in terms of sonics: works with bass drum, percussion, deep double-bass material, rich string sonorities" and so on.

Jim Hall: Jim Hall Live!
Jim Hall, guitar, Don Thompson, double bass, Terry Clarke, drums.
Horizon Records: A&M SP-705 (LP), reissued on CD as Horizon SP-705. John Snyder, prod., Don Thompson, eng. TT: 41:29.

These performances were taped by the double-bass player, Don Thompson, during a week's stand in June 1975 at Bourbon Street, Toronto, Canada. They are very closely miked, yet audience noises are audible although they seem to enhance rather than detract from the music. The balances are fascinating.

Eriks Ešenvalds: The Doors of Heaven
The First Tears, Rivers of Light, A Drop in the Ocean, Passion and Resurrection
Dr. Ethan Sperry, Portland State Chamber Choir; various instrumentalists
Naxos 8.579008 (CD). 2017. Erick Lichte, prod.; John Atkinson, Doug Tourtelot, engs. DDD. TT: 58:52
Performance ****
Sonics *****

Latvian composer Eriks Ešenvalds has been making quite a name for himself in choral music. He teeters gingerly between consonance and dissonance, and varies intimate whisperings, the strength of forces—sometimes a solo soprano over the chorus; sometimes a solo vocal quartet; sometimes exquisite, silky smooth legato singing by the entire chorus—with wise, spare use of instruments.