Powerline Accessory Reviews

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Brian Damkroger  |  Apr 22, 2007  |  0 comments
I can't remember a time when I wasn't concerned about power quality. I grew up around finicky, home-brew ham-radio gear and labs full of instruments, and with both, power-conditioning gear was standard fare. When I moved into high-end audio, it seemed obvious that power quality was important. As a result, I've experimented with a wide range of power-conditioning equipment, from simple ferrite loops to huge isolation transformers, and even exotic laboratory power supplies that could vary the voltage, frequency spectrum, and shape of the AC signal.
Paul Bolin  |  Aug 22, 2004  |  First Published: Aug 01, 2004  |  0 comments
Power-line conditioning and exotic power cords, once considered the lunatic fringe of tweaking, have become normal parts of audiophile life. Over the last several years Shunyata Research, founded by former NSA research scientist Caelin Gabriel, has established itself as a leading innovator in the area. The company's latest efforts include the Hydra Model 8 power-distribution center ($1995), for use with whole systems or front ends; the two-outlet "mini" Hydra Model 2 ($395), intended for use with power amplifiers; and the Anaconda Alpha and Anaconda vX power cords ($1995), the new top models in the PowerSnakes line.
Wes Phillips  |  Jan 11, 2004  |  First Published: Apr 01, 1999  |  0 comments
Considering that not that long ago there wasn't even a product category for balanced AC line conditioners, we seem to now enjoy a plethora of the critters. Cinepro offers the PowerPRO 20 (reviewed in Stereophile, November 1998, Vol.21 No.11). And Equi=Tech, which caters more toward the pro end of the field, offers one that I have yet to hear. Now Audio Power Industries weighs in with their own approach to the genre.
Chip Stern  |  Jun 22, 2003  |  0 comments
It's a simple premise: power corrupts. You can buy the finest audio components in the world, but if the foundation of your aural house is rotten, you won't get anything vaguely resembling the level of performance your gear was designed to provide. Over time, I've come to realize just how fragile the audio signal chain is, dependent as it is on electrical sources fatally compromised by all manner of aural schmutz pouring through the local grid. I've become obsessed with figuring out how to liberate my system from the line noise, reactive loads, and voltage anomalies that veil the presentation, obscure resolution, and limit dynamic range.
Art Dudley  |  Apr 13, 2003  |  0 comments
We were having trouble with the power in our home—the wall current, I mean, not the dynamics of our marriage—so I called the local utility. While the technician was here, he let me watch what he was doing. I had a chance to look inside our meter box, which is the junction between the utility's power lines and the circuit-breaker box in the cellar.
Robert Deutsch  |  Dec 02, 2001  |  0 comments
PS Audio's Power Plant AC-regeneration devices have taken the audio and home-theater worlds by storm. The P300 was voted 2000 Accessory of the Year in Stereophile (December 2000), and the P600 won the Editors' Choice Platinum Award in Stereophile Guide to Home Theater (January 2001). The Power Plant differs from conventional power-line conditioners (PLCs) in that it doesn't just "clean up" AC but actually synthesizes (or regenerates) it. Each Power Plant is essentially a special-purpose amplifier, producing AC to run the equipment plugged into it, the maximum output wattage indicated by the model number. (The most powerful Power Plant available is the P1200, which produces 1200W.)
Jonathan Scull  |  Jun 12, 2000  |  1 comments
The Richard Gray's Power Company 400S arrived on the audiophile scene last year with a bang. Weighing in at a hefty 20 lbs and at $700 a pop, this four-outlet power conditioner, according to the paperwork, "effectively 'positions' audio, video, and home theater equipment 'electronically closer' to your utility company transformer, without introducing any type of series electronic 'traps' or capacitors into the circuit, which we feel degrade the performance of certain equipment, and severely limit the amount of current they can handle."
Robert Deutsch  |  Dec 19, 1999  |  1 comments
Although advertising copywriters would have us believe otherwise, there is not a lot of true innovation in audio. Most audio products are based on well-established principles, perhaps refined in detail and execution. Of course, some products do take novel approaches, but they tend to be too off-the-wall to be taken seriously, or simply don't do the job as well as more conventional products. What's really exciting is to encounter a product that is audaciously original in concept, yet makes so much sense that you wonder why no one even thought of it before (footnote 1).

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