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Chip manufacturer ESS">http://www.esstech.com">ESS Technology is no stranger to audiophiles interested in new formats. It was responsible for one of the first "universal" SACD/DVD-Audio decoding">http://www.stereophile.com/news/11059/">decoding chips and more recently was the supplier of a special-purpose">http://www.stereophile.com/news/11296/">special-purpose chip for Linn's SACD "Silver Disk Engine" designs.

Some ultra-high-end two-channel specialists may still be singing the blues, but others in the electronics retailing business are humming happier tunes.

Companies that thrive do so by adapting to a changing market. Sony is revamping its manufacturing and marketing plans in an attempt to become both more efficient and more responsive to consumer needs.

Brian Damkroger finds that the Magnepan">http://www.stereophile.com//loudspeakerreviews/595/">Magnepan Magneplanar MG1.6/QR loudspeaker and a 1973 Porsche 911 have much in common: "Each has grown out of the vision of a single, brilliant designer. Each reflects the long, steady evolution of a basic design, and the consistent focus on a core set of engineering criteria." BD then listens for the fruits of this approach to speaker design and writes up the results.

In his review of the Meridian">http://www.stereophile.com//digitalsourcereviews/590/">Meridian 508.24 CD player, Wes Phillips finds the machine "a beautiful design with impeccable technical credentials—a CD player that belongs, with only a few others, at the very sharpest portion of the leading edge, and that joins them in producing sound that is highly musical and hard to criticize."

If you think the name Viola Audio Laboratories sounds familiar, wait 'til you hear the names behind it: Tom Colangelo, Paul Jayson, and Tony DiSalvo—all former officers at Cello. Viola, working out of Cello's former New Haven facilities, is now producing a complete line of electronics, from the $18,000 modular Spiritu preamp to the $12,000 Bravo Double Set monoblock amplifier. The company also manufactures audio cables and a modular loudspeaker, the $18,000/pair Allegro, as well as an $18,000 subwoofer, the Basso. The system certainly is elegant-looking, and it sounded impressively coherent in a small hotel room—and that was with both the Allegro's bass module and subwoofer disconnected!

Wandering around the show, we were struck by how good most of the speakers we were hearing were. Not just the cost-no-logic designs, but pretty much all of them. Are we audiophiles lucky or what?