MP3, the popular and controversial Internet music format, took a big step toward legitimacy last week. Z Company, which operates San Diego-based MP3.com, announced that it had attracted $11 million in venture capital from idealab! and Sequoia Capital. Z Company will change its name to MP3.com Inc. to reflect the company's core business interests, said president Michael Robertson.
The most important issue facing the high-end audio crowd at this Show is the looming battle for high-resolution audio formats. DVD-Audio and SACD posturing was everywhere, with SACD probably displayed the most. But it was a relief to see that manufacturers were starting to consider putting both SACD and DVD-Audio processing in a single box, thus making the choice for consumers much easier. This means that the makers of disc players are not forced to choose sides, and are able to please everyone. It allows consumers, as well, to make a single-player choice and be covered for the coming armegeddon. But it will put record labels in a tough spot: which format will they support for their releases---SACD, DVD-Audio, or, somehow, both? We'll keep you informed.
The last day at CES is low-key. Displays at the Las Vegas Convention center are already being broken down by mid-day, and many attendees have already left.
January 9, 3pm Some fascinating prototypes were on display at the Madrigal breakfast at Bally's this morning---and we can't tell you about them. But when the Cone of Silence is lifted, you can bet we'll spill the beans, particularly in view of Madrigal's confidence that there will be a future market for very-high-quality surround-sound music reproduction. In the meantime, we are able to report that the new Proceed DVD transport has enough upgradeability options to allow for just about any future digital format: DVD-Audio, SACD, CD, DVD-Video, etc. The transport will also allow for easy upgrading to future interface schemes such as IEEE 1394. And, unlike many other DVD-Video transports, the Proceed should be able to play CD-R discs. For two-channel fans, the Mark Levinson No.32 Reference preamplifier is in production and will be available next month. Price of the two-chassis, dual-mono unit, without phono stage, will be in the region of $15,000. Madrigal is already back-ordered.
Ah, it's good to be home again. We have finally arrived at the Alexis Park complex, the enclave of specialty audio. It's a much more civilized venue than the Convention Center, but, here as there, new products prevail. Only drawback this year: Someone has apparently rerouted the airplane take-offs from nearby McCarran airport to directly overhead, making it tough to continue a conversation or demo for more than 5 minutes.
Friday, we'll venture into the Alexis Park complex and the adjoining exhibits from T.H.E. Show, where most of the specialty audio manufacturers have set up shop. But so far, at the Las Vegas Convention Center and adjoining Hilton (which we are currently touring), live 24/96 digital audio is conspicuous by its absence.
Your dauntless reporters---Tom Norton, Steven Stone, Michael Fremer, Bob Deutsch, Larry Greenhill, Jon Iverson, and Barry Willis---have shown up on schedule for Philips Electronics' 1999 kickoff press conference at the Desert Inn's Grand Ballroom II, attended by a hundred or so other journalists.
If one were to judge by new high-end audio-product intros at this year's CES, the industry appears to be hopping. So far we're only halfway through the Alexis Park (the home of most high-end audio exhibitors at the Show), but our bags are already overstuffed with brochures. Not surprisingly, a lot of the two-channel manufacturers are branching out to the multichannel market.
There is practically nothing that has set high-end audio on its collective ear like the article Jonathan Scull wrote back in 1994 on room-tuning devices from Shun Mook. Not only did some readers dog-pile J-10, but two other Stereophile writers, Barry Willis and Sam Tellig, decided to take on the challenge. Required reading for anyone who wants to know more about The Shun Mook Affair.
Imagine that you are a Canadian with a mid-sized accounting business. You have tons of data to keep track of, and have found the recordable CD to be an excellent form of storage: convenient, reliable, and cheap---until New Year's Day, when the cost of blank discs suddenly doubled. You may not have the slightest interest in music, but one of your basic costs of doing business has just skyrocketed because someone, somewhere, has allegedly made an illegal copy of a commercial music CD.
It is with regret that I announce that Wes Phillips has resigned from Stereophile in order to take a position, beginning January 1, 1999, with PR company J.B. Stanton Communications, Inc. Wes and his wife, Joan, will be relocating to Connecticut. I wonder how Wes's unreconstructed Virginia ancestors will take to his becoming a Yankee!
The shock news on November 18, 1998---that the highly regarded British speaker brand Mordaunt-Short was to be closed down (see previous story)---seems to have achieved the desired result. On December 30, Audio Partnership plc announced it was acquiring the Mordaunt-Short brand from TGI plc (Tannoy Goodmans International).
As this is filed, there are only a couple of days until the end of the year, but still plenty of time to get these predictions under the interconnect. You can find part one here, and part two here.
We are saddened to learn of the passing, on December 13, of audio writer Ann Turner. Ann, who was diagnosed earlier in the year as suffering from clear cell carcinoma, was a stalwart of high-end audio magazine The Abso!ute Sound---Editor Harry Pearson tells me he used to refer to her as "the Aquarian War God," a phrase she liked. She was also the inspiration and the driving force behind that publication's web site, The Abso!ute Sound.
Time to yank out the old oxygen-free crystal interconnects and gaze into audio's future for 1999. Now that www.stereophile.com has a year under its online belt, we should be able to read the sonic omens with greater resolution, or at least confine our mistakes to minor stumbles. First, we'll see how our prognostications for 1998 panned out, and spin them a little to tune in 1999. We'll add reader predictions at the bottom. Got your own predictions? Send 'em in!