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Jon Iverson  |  Jul 16, 2000  |  0 comments
With Napster as the little red devil with a pitchfork prodding them on, the third-largest record company in the world, EMI, making good on its earlier announcement, last week became the first major label to begin releasing music online. In a move the company hopes will silence the critics who say that Napster has become successful because the big labels have provided no Web-based alternatives, EMI put over 100 albums and 40 singles online "through all the normal retail websites."
Barry Willis  |  Jul 09, 2000  |  0 comments
Federal courts long ago established that music fans have certain "fair use" rights when it comes to making copies of recordings they own. They can transfer recordings from one format to another—such as from LP to cassette tape or from CD to MiniDisc—and they can share those recordings with others, provided that the results are only for private, noncommercial use.
Barry Willis  |  Jul 09, 2000  |  0 comments
For technophiles, DVD is the current hot ticket. The compact disc is far from dead, however. The 20-year-old format has been given a new lease on life by Sony Corporation, which in early July announced the development of a new technique that will double the data-storage capacity of recordable CDs.
Richard L. Hess  |  Jul 09, 2000  |  0 comments
Editor's Note: Richard Hess has recently spent time remastering several CDs and wrote about the experience for an engineering newsgroup. We think Stereophile's online readers will find his comments about the process interesting.
Jon Iverson  |  Jul 09, 2000  |  0 comments
Information released last week by NPD Intelect reveals eye-opening statistics about digital audio recorder formats. The numbers show that, from January to May 2000, unit shares of digital recording sales in retail stores were 30.8% for CD recorders (not including computer-based systems), 40.9% for MiniDisc recorders, and 28.3% for MP3 recording devices (also not including computer-based systems).
Stereophile Staff  |  Jul 09, 2000  |  0 comments
Kalman Rubinson had tried to get his hands on the Revel Performa F30 loudspeakers back in January 1999, but was thwarted until later in the year, when J-10 decided to send them his way. Kal was clearly excited about these speakers, and explains in detail exactly why.
Jon Iverson  |  Jul 02, 2000  |  0 comments
With new high-end audio formats hitting the shelves and MP3 and Napster dominating the online music news, developments in the world of radio have taken a back seat lately. But two announcements this week offer a peek at where the broadcast business might be headed.
Stereophile Staff  |  Jul 02, 2000  |  0 comments
The bad news for the music industry: Teenagers bought less music last year, according to a recently released survey commissioned by the Recording Industry Association of America. The good news: Middle-aged folks bought more, according to the same survey.
Barry Willis  |  Jul 02, 2000  |  0 comments
DVD-Audio will soon bring high-resolution multichannel sound to music lovers, but they may be dismayed by the format's several varieties and the semi-compatible hardware that will be needed to play them. That was the impression left by a lecture the last week of June at Dolby Laboratories' Presentation Studio in San Francisco.
Jon Iverson  |  Jul 02, 2000  |  0 comments
DVD-Audio has been "almost here" for so many months that it seemed almost anticlimactic when the first players finally emerged on dealer shelves this week. Late in May of this year, Panasonic announced (see previous story) that they would be releasing two players, one under the Panasonic banner and the other under the company's Technics brand, in July. It looks as if they've finally made good on their promise.
Jon Iverson  |  Jul 02, 2000  |  0 comments
Judging from the e-mails we get, some folks wonder why Stereophile's website continues to cover the advance of such lo-fi formats as MP3 as well as the problems encountered by companies like Napster as they tangle with the music business. But consider this: a new study reports that the market for digital music players will grow to $6.4 billion in 2005—more than 34 times 1999 shipments—which is also nearly 80% of the $8 billion reported for sales of all audio products, including portables, from last year (see previous article).
Jon Iverson  |  Jun 25, 2000  |  0 comments
One can almost imagine how it all started: "Hey, you got a computer in my audio system." "No, you got an audio system in my computer . . . "
Stereophile Staff  |  Jun 25, 2000  |  0 comments
While Thiel Audio is primarily known for highly refined floorstanding speakers, John Atkinson thought it might be a good idea to give the stand-mounted Thiel PCS loudspeaker a spin. In doing so, he confirmed, once again, that wire is not wire when it comes to speaker cables. But what of the speaker? JA's conclusions may surprise a few audiophiles.
Jon Iverson  |  Jun 25, 2000  |  0 comments
Back when DVD players were first released in the US, Classic Records was among the first companies to exploit the fact that early machines, though intended for the video enthusiast, could play a 24-bit/96kHz audio recording as well as movies (see previous story). These early high-resolution discs, which Classic called DADs, were intended to hold us over until DVD-Audio (then thought to be just around the corner) would finally hit the market. More than two years later we're still waiting for DVD-A, but Classic intends to be ready when it finally appears.
Barry Willis  |  Jun 25, 2000  |  0 comments
Making good its intention to move heavily into the ever-expanding consumer-electronics market, Texas Instruments has announced that it will acquire chipmaker Burr-Brown Corporation for $7.6 billion in stock. Burr-Brown makes some of the most highly regarded A/D and D/A converter chips on the market, many of them used in high-end audio and home-theater products.

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