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Jon Iverson  |  Jun 03, 2001  |  0 comments
Some long-time Stereophile readers were outraged when the magazine put a photo of a computer soundcard on its cover in September of 2000 (click here for the review and controversy). And then, John Atkinson added insult to injury by doing another soundcard review last November. Some readers may have been scratching their heads about why we did it, but at least one manufacturer is getting the message.
Stereophile Staff  |  Jun 03, 2001  |  0 comments
On May 23, the Juilliard School of Music announced the selection of 18 instrumentalists who will form the core of the newly-created Juilliard Jazz Orchestra. As orchestra members, the musicians will benefit from tuition-free study at the school's recently established Juilliard Institute for Jazz. The creation of the institute—a collaboration of the Juilliard School and the "Jazz at Lincoln Center" program—is an indication that the prestigious institution is further acknowledging the importance of jazz, an indigenous American genre that many critics have called "the classical music of the 20th century."
Barry Willis  |  May 27, 2001  |  0 comments
It's sometimes amazing how courtroom adversaries can become bosom buddies. This week's example: on May 21, Vivendi Universal SA agreed to acquire Internet music portal MP3.com Inc. for $372 million (423 million euros) in cash and stock—or $5.00/share for MP3.com stockholders. The announcement followed Vivendi's April 5 acquisition of Emusic.com for $24 million. The targeted companies' boards of directors unanimously approved both deals. MP3.com will continue to offer music from non-Universal labels, according to a company press release.
Stereophile Staff  |  May 27, 2001  |  0 comments
It was 15 years ago this week that an enthusiastic John Atkinson was lured From London to Santa Fe to take the helm of Stereophile. As JA recounted back in 1986, "From London, England, to Santa Fe, New Mexico, is a pretty big jump, both geographically and culturally. From Hi-Fi News & Record Review to Stereophile, however, is a mere hop; the similarities overwhelm the differences."
Jon Iverson  |  May 27, 2001  |  0 comments
A quickly established favorite among music fans, the CDDB website provides comprehensive information for tracking who and what appears on just about any CD in existence (see previous). But as users of the service are discovering, the company that now maintains the database, Gracenote, is starting to change the rules of access.
Barry Willis  |  May 27, 2001  |  0 comments
Two scuttled mergers in the past year haven't damaged the profit picture for EMI Group PLC. Neither has a global slowdown in music sales. EMI announced May 22 that it expects to see a 5.7% increase in pretax profits for its fiscal year ended March 31: £259.5 million (US $374 million), up from £245.4 million (US $353 million) a year earlier. EMI's sales for the year rose 12% to £2.67 billion (US $3.84 billion).
Jon Iverson  |  May 27, 2001  |  0 comments
Could the average computer hard drive soon be able to store the equivalent of over 80 DVD-Audio discs or 600 CDs? Last week, IBM announced that it is using just a few atoms of what it has termed "pixie dust" to push back the data storage industry's most formidable barrier, and will effectively quadruple disk drive densities in the next two years.
Barry Willis  |  May 26, 2001  |  0 comments
The Secure Digital Music Initiative has decided to reconfirm San Diego–based Verance Corporation's watermarking technology as its choice for inhibiting piracy in digitally recorded music. The May 21 announcement was made by the SDMI Plenary after a year-long campaign to evaluate the effectiveness and audibility of watermarks from 14 different vendors. The group has also apparently decided to halt further research and development efforts, which have been widely blamed for hobbling the rollout of DVD-Audio.
Jon Iverson  |  May 20, 2001  |  0 comments
Please bear with us a moment here—we know most audiophiles react to MP3-related news with a serious case of ringing ears, but tracing where the lo-fi market is currently headed can be instructive for understanding the distant hi-fi future. And if the new technology previewed last week at Qualcomm's BREW conference in San Diego is any indication, some parts of your audio future may, in fact, be wireless.
Stereophile Staff  |  May 20, 2001  |  0 comments
Cirrus Logic has initiated cutbacks in its workforce and other cost-reduction moves that are expected to save as much as $12 million annually. The Austin, TX–based semiconductor company stated May 15 that the measures are part of a general restructuring of its business model, in which its magnetic storage chip business will be de-emphasized in favor of its semiconductor business. Cirrus is the parent company of Crystal Semiconductor, maker of many high-performance digital audio chips.
Stereophile Staff  |  May 20, 2001  |  0 comments
Mark Levinson has traveled from Woodstock to the Whitney, and Michael Fremer lends an ear to his Red Rose Music R3 loudspeaker to determine if the journey was a fruitful one. As Fremer characterizes it, "If Levinson's Cello foray was haute monde, Red Rose is Dockers: loose-fitting and relaxed."
Barry Willis  |  May 20, 2001  |  0 comments
Many small classical record labels are facing an uncertain future in the wake of a decision by Tower Records to put three classical distributors on buying hold. News of the decision, and discussions about its ramifications, have circulated on the Internet after an internal memo was leaked on May 1. The memo from company headquarters ordered store buyers at all 113 Tower stores in the US not to purchase from Allegro, Harmonia Mundi, and Qualiton, until receiving further notice. The three distributors represent dozens of small independent jazz and classical recording labels.
Jon Iverson  |  May 20, 2001  |  0 comments
It's been a roller coaster ride for satellite radio upstarts Sirius Radio and XM Radio this past week as both companies fortunes shifted yet again. In a classic billion-dollar consumer electronics gamble, Sirius and XM are betting that they can reach critical mass by selling enough specially equiped digital radio receivers through car manufacturers while simultaneously signing up enough subscribers to reach profitability.
Stereophile Staff  |  May 20, 2001  |  0 comments
The Home Entertainment 2001 show, held in New York City May 11–13, 2001, received high marks and a standing ovation from show attendees, who came to experience some of the most innovative and exciting consumer electronics products in decades.
Jon Iverson  |  May 13, 2001  |  0 comments
Will audio dealers be interested in selling a product that's been available so far only via mail-order? Audio Advisor thinks so, and has created a new distribution company, WS Distributing, to begin selling the Musical Fidelity product line through "qualified" high-end audio dealers in the USA beginning May 21. Musical Fidelity has been available through retailers in Europe and Asia for years, but in the US, only from AA's catalog and website sales.

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