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Stereophile Staff  |  Jun 17, 2001  |  0 comments
They've been around for years, under a variety of guises and from an evolving list of manufacturers and distributors. But the BBC LS3/5a loudspeakers still cling to their legendary status. We provide not only J. Gordon Holt's original 1977 review for Stereophile, but also follow-ups from 1984, 1989, and 1993. Read about the little speaker that could.
Jon Iverson  |  Jun 17, 2001  |  0 comments
More good news for budget-conscious audiophiles who are waiting for that all-in-one universal high-resolution audio player: Yet another chip manufacturer is announcing a decoder IC that will allow new DVD machines to untangle just about any audio file format. Last week, LuxSonor Semiconductors joined the growing list (see previous) of chip manufacturers that are including both DVD-Audio and SACD in one package.
Jon Iverson  |  Jun 17, 2001  |  0 comments
Maybe it's only fair: Consumer electronics giants like Sony have been selling personal computers lately, so computer manufacturer Compaq announced last week that it will begin selling audio products. Joining Intel in making the transition from the computer industry to consumer electronics, Compaq has now redefined itself as "a global enterprise technology and solutions company."
Barry Willis  |  Jun 17, 2001  |  0 comments
First, the sobering reality: Among the world's billions of music lovers, probably a million or fewer are true audiophiles, for whom sound quality is a primary concern. The uncritical majority will embrace any audio technology that offers economy and convenience. Case in point: the popularity of the MP3 digital format, widely derided by audiophiles for its compressed dynamics and lack of detail, but adopted readily by the general public because of its ease of use.
Barry Willis  |  Jun 17, 2001  |  0 comments
Here's an audio riddle for you. Question: What's erasable but not recordable? Answer: Downloadable music from FullAudio Corporation.
Barry Willis  |  Jun 10, 2001  |  0 comments
Music industry attorneys may not enjoy much of a summer vacation. The season got off to a litigious start with a flurry of lawsuits by and against record labels and music-based websites.
Jon Iverson  |  Jun 10, 2001  |  0 comments
With the proliferation of audio and video formats based on the 5.25" disc (CD, DVD-Audio, SACD, CD-R, CD-V, DVD, etc), buying a universal player that can decode anything thrown at it is many a consumer's Holy Grail. But to date, the vast majority of manufacturers (Pioneer being a notable exception) have been taking sides, choosing to exclude either SACD or DVD-Audio playback from their machines.
Jon Iverson  |  Jun 10, 2001  |  0 comments
When is a music sample not a sample but an actual product? Are those 30-second audio snippets used at online music-retailer websites and in stores considered samples and therefore covered under fair use copyright laws? These are some of the questions that the National Association of Recording Merchandisers are asking the copyright office as another battle heats up between the record labels (represented by the Recording Industry Association of America (RIAA)) and the music retailers (represented by NARM).
Barry Willis  |  Jun 10, 2001  |  0 comments
Which has more value in the 21st century: the constitutionally-guaranteed right to free speech or the music industry's right to protect its encryption technology? Princeton University professor Edward W. Felten intends to find out.
Stereophile Staff  |  Jun 10, 2001  |  0 comments
In his The Fifth Element #2, John Marks discusses in detail how to use common household items to render some audiophile magic. Marks explains, Aall you need is a very long piece of string, a tape measure, two bits of masking tape, a quantity of small self-adhesive removable note papers, and later, perhaps, a trip to the fabric store."
Barry Willis  |  Jun 10, 2001  |  0 comments
The first fiscal quarter was a slow one for major electronics retailers. Eden Prairie, MN–based Best Buy reported a 3.1% drop in comparable-store sales, attributing the slowdown to diminished demand for personal computers. That figure is for stores open a year or longer; Best Buy's total sales for the quarter rose 25% to $3.69 billion from $2.96 billion, thanks to 11 new stores and the addition of the Musicland Group of music stores, which Best Buy acquired earlier this year. Although demand for hardware such as digital cameras, DVD players, and high-definition television sets was "brisk," the market for music CDs lagged more than 6% from last year, company officials explained.
Barry Willis  |  Jun 03, 2001  |  0 comments
One of the more interesting displays at Home Entertainment 2001 was a small booth belonging to West Hollywood, CA–based AIX Media Group, which was manned by company president Mark Waldrep. At the show, Waldrep discussed his work in creating DVD-Audio recordings with multiple perspectives, selectable by the listener via remote control.
Jon Iverson  |  Jun 03, 2001  |  0 comments
According to a new comparison of online music business models and companies prepared by Red Herring Research, Napster simply cannot exist without the complete consent of the recording industry, and the company's recent attempts to appease the copyright infringement concerns of the industry have so far failed. The study also finds it highly unlikely that the company's peer-to-peer model will find success, given the history of its relationship with the recording industry, its declining membership, and impending competition from services like MusicNet and Duet.
Barry Willis  |  Jun 03, 2001  |  0 comments
In 1984, George Orwell's chilling tale of life in a totalitarian society, good citizens are expected to master the art of "doublethink," the ability to embrace two contradictory ideas at the same time. As evidenced by legal actions undertaken by their organization in late May, executives of the Recording Industry Association of America would make excellent role models in an Orwellian state.
Stereophile Staff  |  Jun 03, 2001  |  0 comments
As John Atkinson points out in his "As We See It" from last month, Trumpets to the Back of Me?, there appears to be a long, hard road ahead for audiophiles as record labels struggle to make something out of the multi-channel future. As JA puts it, "The last thing I want is to have trumpets and drums attacking me from behind, yet almost without exception, that is what record producers seem to feel is an essential part of the DVD-Audio and SACD experiences."

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