News

Back in the spring of 1986, I was visiting a hi-fi show in Lucerne, Switzerland. In the KEF/McIntosh/Perreaux room, I was engaged by a voluble American, who wanted to talk about the changes I was making with the English magazine Hi-Fi News. The conversation shifted to the hotel bar, then to a restaurant. The American was one Tony Federici, who at that time was distributing Perreaux gear in the US. With an education in the philosophy of science, Tony's comments were insightful and challenging. He was never at a loss for an opinion! After I moved to the US to take the editorial">http://www.stereophile.com/asweseeit/352">editorial reins at Stereophile, Tony stayed in touch, and many were the conversations we had about audio magazines, the audio business, and music.

Last June, Sennheiser, a multinational manufacturer of microphones, headphones, and wireless technology products, celebrated its 60th anniversary. The company was founded as Wennebostel Laboratories (Labor W) in 1945 by Dr. Fritz Sennheiser and seven other employees of the Institute for Radio Frequency Engineering and Electroacoustics at Hanover Technical University. At the time, as Dr. Sennheiser explained when I visited the company's Wennebostel facility 10 years ago, German radio engineers were prohibited by the occupying Allied forces from constructing communications equipment, so he and his crew needed to find something else they could do. In addition, supply shortages severely restricted the scope of what they might manufacture. Sennheiser determined that they could build test instruments such as millivolt meters from the parts they were able to recover from the Institute and the Allies. Seimens' Hanover branch bought the first samples and the startup company began to supply that firm with more and more complex products.

The Electronic Freedom Foundation (EFF) maintains a websitehttp://www.eff.org">website; that we have found invaluable for keeping up with news about technological restrictions to information and fair use. Last week, we were directed to the EFF's new User's">http://www.eff.org/IP/DRM/guide/">User's Guide to DRM in Online Music, which we recommend to everyone still undecided about buying into one of the online providers.

Among the terrible news coming out of the Gulf states these past few days, we heard the sad news that Gary Warzin, one of the co-founders, with Tony Gregory, of high-end distribution company Audiophile Systems, had died on Saturday August 27 at just 56. Audiophile Systems had grown to prominence in the 1970s and '80s marketing Linn components in the US, and after Linn had set up their own distribution, had worked hard to establish the Arcam and dCS brands in the US. We reproduce below the email we received from Audiophile Systems, telling us of the news, but I'd like to offer my own memory of someone whose abilities as a serious expert on marketing—he was a Disney Fellow—were matched by his penchant for practical jokes:

Norway's one-stop hacking expert, Jon Lech Johansen, has now reverse-engineered the encryption coding in Windows Media Player that prevents .NSC files from being accessed by users of other platforms.Geek-to-nerd translation: An .NSC file carries information about a media stream, including the port name and file address of the stream server. When Media Player opens the file, it decodes this information and connects to the stream server the code specifies. Johansen doesn't believe there's a rational reason to encrypt this information since, upon opening the stream, the information is usually displayed by the network utility running the stream anyway. Johansen reportedly said that his hack will make WMP streams available to users of open source streaming media players, such as VideoLAN Client (VLC).