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Norway's one-stop hacking expert, Jon Lech Johansen, has now reverse-engineered the encryption coding in Windows Media Player that prevents .NSC files from being accessed by users of other platforms.Geek-to-nerd translation: An .NSC file carries information about a media stream, including the port name and file address of the stream server. When Media Player opens the file, it decodes this information and connects to the stream server the code specifies. Johansen doesn't believe there's a rational reason to encrypt this information since, upon opening the stream, the information is usually displayed by the network utility running the stream anyway. Johansen reportedly said that his hack will make WMP streams available to users of open source streaming media players, such as VideoLAN Client (VLC).

Imerge merged: Linear, LLC (Carlsbad, CA, USA) has acquired Imerge, Ltd. (Cambridge, UK), one of Europe's top providers of Internet-connected, hard disk-based audio products and media appliances. (Imerge's relational XiVA-Link database software is used in such products as the Linn">http://www.stereophile.com/digitalsourcereviews/497">Linn Kivor media server.) Linear is best known for its engineered radio-frequency (RF) products and as a major supplier of wireless residential security systems, intercoms, garage door operators, gate operators, short- and long-range radio remote controls, and medical/emergency reporting systems. In recent years the company, through acquisition, has expanded into consumer electronics, home entertainment products, and structured wiring systems for the builder market. Imerge will join Linear's Home Technology Group.

Editor's Note: Stereophile writer Richard (Rick) J. Rosen passed away suddenly on Monday August 22, of unknown causes. Rick wrote show reports and the occasional software review for the magazine, but his highest-profile contributions were his "Rick Visits..." series of interviews, where he hung out with music makers, asking them about their systems, of course, but also their relationships with recorded music. The first of these was with famed keyboard player Al Kooper in our October 1995 issue, and I was proud, as an editor, to be able to publish such superbly crafted prose.