Budget Component Reviews

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Stephen Mejias  |  Oct 10, 2012  |  4 comments
The last few decades have seen dramatic improvements in the art (and science) of loudspeaker design. Tannoy's budget-priced Mercury series is now in its fifth iteration. The two-way, front-ported Mercury V1 ($320/pair) measures 11.8" high by 6.7" wide by 10" deep and weighs 9.9 lbs. My samples came in a very handsome Dark Walnut finish (Sugar Maple is available) with simple black cloth grilles. I left the grilles off to reveal the speakers' attractive front baffles and accentuate their equally attractive high frequencies (more on the latter later).
Stephen Mejias  |  Oct 05, 2012  |  3 comments
The Tannoy Mercury V1 loudspeakers ($320/pair; see last month's column) were already carefully packed in their box, pushed into a corner of my messy kitchen, ready to go to John Atkinson for a Follow-Up—but I couldn't stop thinking about them. Their delicate, graceful highs and tight, properly balanced bass had entranced me, and, now, as I listened over and over to a recent reissue of Bill Dixon's amazing Intents and Purposes (CD, International Phonograph LSP-3844), I felt a strange urge to unpack the Tannoys and return them to my listening room. I had to know how Intents and Purposes would sound through the Tannoys.
Art Dudley  |  Sep 26, 2012  |  First Published: Oct 01, 2012  |  6 comments
"This product is an industry disrupter."

Thus spoke AudioQuest's Steve Silberman, VP of development, of their brand-new USB D/A converter, the DragonFly. "There are a lot of very good DACs out there," he continued. "There are even a lot of very good affordable DACs. But the problem is, people outside of audio don't want them: They don't want old-style components like that.

Stephen Mejias  |  Sep 19, 2012  |  First Published: Aug 01, 2012  |  1 comments
The Definitive Technology StudioMonitor 45 measures a very room- and back-friendly 11 11/16" (297mm) high by 6¾" (172mm) wide by 11 11/16" (297mm) deep, but these dimensions are attractive for reasons other than simple, efficient transport and placement. I noticed right away that something about the speaker just looked right. Paul DiComo, DefTech's senior vice president of marketing and product development, explained that while the number and size of drivers used in any DefTech design will largely dictate that speaker's height and width, the company nevertheless aims for Fibonacci, or golden-ratio, dimensions. According to DiComo, these efforts help minimize standing-wave and "organ-pipe" resonances inside the speaker's cabinet.
J. Gordon Holt, Thomas J. Norton  |  Sep 18, 2012  |  First Published: Jul 01, 1985  |  0 comments
While it is not quite accurate to say that $500/pair loudspeakers are a dime a dozen, they are by no means unusual. And since this is a price area where major design compromises are mandatory (footnote 1), the sound of such loudspeakers tends to vary all over the map, from pretty good to godawful—depending on what performance areas the designer chose to compromise and by how much.

I approached this latest half-grander with little enthusiasm, despite Siefert's persuasive literature, I have, after all, been reading such self-congratulatory hype abiout new products for longer than most Stereophile readers have been counting birthdays. This, I must admit, was ho-humsville.

Sam Tellig  |  Aug 13, 2012  |  First Published: Jan 01, 2012  |  13 comments
There's so much uncertainty and confusion surrounding computer audio and high-resolution downloads. Which hi-rez formats will win out? How do you store the downloads you've bought? (Easy. Don't buy them.) How do you access them? Will digital rights management (DRM) cramp your style, or data-storage fees for cloud computing crumple your wallet?
Stephen Mejias  |  Aug 09, 2012  |  4 comments
It was another flawlessly beautiful spring morning, and I was in Bay Ridge, Brooklyn, to help John Atkinson pack up the Lansche Audio 5.1 loudspeakers ($41,000/pair). John had only just completed his listening and bench tests (see his review in the July issue), and was not ready to let go of the lovely Lansches—but the speakers would be picked up by a trucking company that afternoon and sent to our cover photographer, Eric Swanson, in Santa Fe, New Mexico. Each Lansche measures 40.9" tall by 10.1" W by 19.3" D and weighs 167.5 lbs—packing them and securing them to a shipping pallet is definitely a two-man job. In our case, that job required a lot of wheezing, a little bleeding, and just the right amount of cursing. And because it was only 11am when we met, we were obliged to accomplish the task without the aid of beer—a crying shame, if you ask me—but we handled it in our usual, manly fashion.
Robert J. Reina  |  Aug 02, 2012  |  0 comments
We've all read about how bookstores, appliance stores, and other bricks-and-mortar retailers are suffering with the increasing domination of Internet sales. That got me thinking about audio dealers. I've always believed that one can't really make an informed purchase of audiophile equipment without hearing it in a system properly set up by and at at a serious audio retailer. Here in New York City, we're blessed with six first-rate audio dealers in Manhattan alone, with more in the suburbs. I estimate that 90% of the products reviewed in Stereophile can be auditioned at a dealer or two within a two-hour drive of anywhere in the New York metropolitan area.
John Atkinson  |  Aug 02, 2012  |  4 comments
The first loudspeaker I heard from the Canadian company PSB was the Stratus, an affordably priced ($1400/pair), two-way tower with a soft-dome tweeter and an 8" woofer. The Stratus had benefited from designer Paul Barton's being able to use the anechoic chamber at the Canadian government's National Research Center, in Ottawa. The Stratus was reviewed for Stereophile by J. Gordon Holt in our May 1988 issue; he described the speaker as "eminently listenable," though Gordon also felt that it was "a little lacking in guts and liveliness." I had sat in on some of his listening sessions and had been impressed by what I heard.
John Atkinson  |  Jul 27, 2012  |  First Published: Aug 01, 2012  |  16 comments
When it comes to getting audio from a PC via its USB port, the buzzword du jour is asynchronous. This cryptic term refers to which device has control over the timing of the audio data being streamed from the computer: the computer itself, or the device receiving the data. It might seem logical to have the computer control the timing, but this is not so. When digital audio data are converted to analog by a D/A converter, control over exactly when each dataword is converted is critical for the best quality of sound. Any uncertainty in that timing manifests itself as analog distortion, aka jitter.
Stephen Mejias  |  Jul 12, 2012  |  3 comments
Back at home, I'd recently set up Polk Audio's RTi A3 loudspeakers ($399.95/pair), which, at 14.75" H by 8.58" W x 14" D, are by far the largest bookshelf models I've had in my listening room. Right out of the box, the RTi A3 impressed me with its fit and finish. In Polk's Damped Asymmetrical Hex Laminate Isolation (DAHLI) cabinet design, five layers of MDF are glued together to form a damping system, then topped by a real-wood veneer of black ash or, in the case of my review samples, an impeccable cherry. The gracefully curved cabinet narrows in width from 8.58" at the front to about 5" at the rear, and is said to create a stronger, more rigid, more acoustically inert enclosure. (Knocking on the speaker's side panels resulted in a hollow resonance.)
Robert J. Reina  |  Jul 06, 2012  |  6 comments
I thought I'd review the procedure I typically use to seek out affordable speakers for review as, in the case of the Denmark-designed DALI Zensor, made in the company's facility in China, there was a twist at the end.

In preparing to review affordable loudspeakers, I typically put together a list of potential candidates I've discovered at audio shows, or that have been recommended to me by other Stereophile writers. I add to that list products I've learned about from press promotions, usually from companies whose products have impressed me in the past. I boil this down to a short list, then run it by Stephen Mejias to make sure I'm not tripping over The Kid's own quest for budget sonic nirvana.

Stephen Mejias  |  Jul 05, 2012  |  14 comments
It was unusually warm for early spring, without a cloud in the big, blue sky to tame the sun's dazzling light—far too beautiful a day to be indoors, but Uncle Omar and I had already planned a little listening session, and I was determined to show him that high-end cables would make a difference in his system. I wasn't necessarily feeling bullish about the task, though. It had taken me a couple of years to convince Omar that he should replace his old boom-box speakers with something better, and it was only dumb luck that finally made it happen: I was with him when he found a gently used pair of B&W DM602 speakers at a junk shop in Jersey City. When they were new, the DM602s sold for around $600/pair, but on this happy day they were tagged at $50. "Do it," I begged him. "Doooooo it!"
Jon Iverson  |  May 10, 2012  |  6 comments
It's common knowledge that manufacturers tune the sound of each DAC model. There are the facts of product design and marketing: inputs, outputs, case materials, price points. After that, what's left are the trade-offs of different circuit designs and filter options, which are chosen with care—each has a subtle yet telling effect on a DAC's sound. Most designers try to go from bits to analog with minimal deviation from perfect. But when you look at the measurements and listen closely, you realize that perfect is elusive. One has to make choices.
Stephen Mejias  |  Apr 09, 2012  |  First Published: Dec 01, 2011  |  7 comments
Because I am an audiophile, I want to hear that music through the best possible source component. Lately, I've been enjoying CDs through the Emotiva ERC-2 CD player ($449).

The Emotiva ERC-2 measures 17" (435mm) wide by 4.25" (110mm) high by 14" (360mm) deep and, at 17.5 lbs (8kg), is the heaviest component to enter my listening room since the 25-lb Simaudio Moon i3.3 integrated amplifier ($3300, discontinued). The player's distinct appearance was developed by Emotiva's president and CEO, Dan Laufman, and VP of engineering, Lonnie Vaughn. In building the ERC-2, their goal was to "keep it simple, easy to use, and elegant . . . in a machine-oriented way."

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