FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

The Nuge Goes Legit

Thirty six years ago, Ted Nugent just played guitar...

To write intelligibly about the experience of seeing Ted Nugent sitting in with the Les Paul Trio—let me repeat that—Ted Nugent sitting in with the Les Paul Trio at The Iridium Jazz Club on Broadway and 51st Street just off Times Square on Monday May 16, I need to first explain two bits of context.

Continue Reading »

Bill Frisell's Sign of Life

Bill Frisell's Sign of Life (Savoy Jazz) is one of the most gorgeous new albums I've heard in a while. It's in the tradition of his "Americana" albums (Disfarmer; History, Mystery; Ghost Town; Gone, Just Like a Train; This Land), but here he burrows deeper into the roots. There are traces of folk, bluegrass, minimalism, western-blues, as well as certain modes and improvisational cadences of jazz. The ensemble is the 858 Quartet. . .
Continue Reading »

Totem Dreamcatcher loudspeaker

The two-way, biwirable, rear-ported Dreamcatcher is designed and manufactured in Canada; its drive-units are designed by Totem, but made and assembled in Europe. The 1" titanium-dome tweeter, manufactured by German Acoustik, is mated to a 4" Scan-Speak woofer. Totem founder Vince Bruzzese feels very strongly about sourcing his drivers in the West. In the past, he got his small woofers from Peerless in Denmark, but switched to Scan-Speak when Peerless started manufacturing in China. Bruzzese also pointed out that the tweeter used in the Dreamcatcher costs him €16, more than 15 times as much as most similar Asian-made tweeters.
Continue Reading »

Vincent Audio C-60 CD player

Should an audio component accurately reproduce the signal it's fed, or should it evoke the sound and feel of live music? Accuracy or musicality? This question has been at the heart of high-end audio since its inception. Back then, the question often took the form of the tubes-vs-transistors debate. Proponents of solid-state pointed to the far superior measured performance of transistor designs, and claim that they thus more accurately reproduced the input signal. Tube lovers steadfastly maintained that their gear sounded better, more natural—more like music. Since then, both camps have eliminated the obvious colorations of their respective technologies, and the levels of performance of today's best tubed and solid-state gear have converged. At the same time, the circuits themselves have blurred into hybrids of various sorts, different mixes of devices and circuits.
Continue Reading »

Monster Beats by Dr. Dre Pro

This story originally appeared at InnerFidelity.com

From the “Beats by Dre” website:

“Attention sound engineers, DJs, musicians, and hard core music lovers: Beats Pro is the reference headphone designed by audio professionals for audio professionals.”

Well, one and a half out of four ain’t bad.

You’ll know if you’ve seen my Beat Solo headphone youtube video that I would be perfectly happy to dis these cans. Well, I guess you can’t be happy all the time, because there were quite a few things these headphones did surprisingly well. But I’m not perfectly unhappy, the Beats Pro didn’t fail to disappoint in some ways too.

Life in balance I guess … Dre has his place.

Continue Reading »

Attention Screen Takes Flight at Yamaha

How am I to convince music lovers that this CD is markedly different from Attention Screen's first two live CDs?

The question kept running through my head as I marveled at the breadth and maturity of Attention Screen's remarkable improvisations during a pre-concert sound check in the Piano Salon of Yamaha Artist Services, Inc. (YASI), at 689 Fifth Avenue, in the heart of Manhattan.

Attention Screen impressed even more at the public concert the following night, April 24, 2010. As the band members engaged in one improvisational miracle after another, fearlessly exploring new territory, the beauty and inventiveness of their playing astounded me.

Continue Reading »

Room Treatments

I’d like to give you a tour of my listening room. Please excuse the mess. I’ve been evaluating cables.

Because all the new LPs had started to take over the apartment, I was forced to do some rearranging. Over the last couple of weekends, I’ve managed to shape some order into my listening room. And order is very important to me. When my home is messy, my soul feels messy; and, when my soul feels messy, I become grouchy, lethargic, and I can’t get anything done.

A couple of other things have inspired this post. First, recent visits to friends’ warm and lovely apartments had me feeling like I’d neglected my own home. I want to invite these friends over, but, before I do, I have to feel sure that my home would feel comfortable and inviting, would speak from the walls, would have stories to share. Second, this recent post on Michael Lavorgna’s Twittering Machines was extremely fascinating and fun.

So, let me show you around.

Continue Reading »

Audiophile Essentials

Henry Rollins: Audiophile. In a blog for the LA Weekly, Henry Rollins describes the pleasure of listening to music through his Wilson Audio Sophia 3 loudspeakers. Photo: Maura Lanahan.

It’s tough being an audiophile. Tell someone you like high-quality sound and they might look at you like you’re an alien. We forget that hi-fi used to be the coolest endeavor in town. Look at black-and-white advertisements from decades ago and you’ll see handsome men, surrounded by enormous loudspeakers, massive tube amplifiers, LPs tossed about like useless clothes and knotted bed sheets, gorgeous women wanting and waiting for more. But, somehow, over time and with changes to our priorities and lifestyles, the idea of listening to music on the hi-fi has gone from sexy to sexless&#151a hobby limited to the soft and balding, the smelly and unkempt, the hopelessly lonesome and woefully inept. Plus: For most people, “audiophile” is just way too close to “pedophile.”

What’s a guy to do?

Continue Reading »

Friday Night at Otto’s

On Friday night, we raced over to the bamboo-walled, lava-lit, animal-printed freak show that is Otto’s Shrunken Head on East 14th Street, between Avenues A and B, where John Atkinson would join pianist Bob Reina, drummer Mark Flynn, bassist Chris Jones, and trumpeter Liam Sillery for two sets of fully improvised, often beautiful soundscapes.

I’ve never seen John Atkinson move the way he moved on Friday night.

Continue Reading »

The King of Limbs

Dear weblog,
On Friday, we managed to successfully release to pre-press the final pieces of our July 2011 issue; and it was only three weeks ago that we finished shipping our June issue. On top of the pressure of such a short production cycle, we also felt the effects of attending, over the course of just two weeks, both the Salon Son et Image in Montreal and Axpona in Atlanta. It’s been a busy and exhausting month. On the positive side, it seems that the economy is taking a turn for the better. We see this in the sudden spring of hi-fi shows, but also in the increasing size of our print issues: 140 pages for May 2011 vs 116 for May 2010; 156 pages for June 2011 vs 132 for June 2010; 140 pages for July 2011 vs 124 for July 2010.

These trends, it seems, will continue.

Continue Reading »
Advertisement
Advertisement
Advertisement
Advertisement