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If there is one thing audio reviewers like (other than wine, women, and song, of course), it is recommendable products that stay in production for years. And years. I reviewed the original Confidence C4 in 2003, with a follow-up by Wes Phillips in 2007, so it was with some surprise that I encountered the speaker at the 2012 CES. Except that this was the new Signature edition ($22,000/pair), which has a revised crossover, a high gloss finish (that is difficult to photograph :-), and a new coating on the Esotar² tweeter's soft dome that is said to give a smoother, more open sound. With a standard finish, the C4 costs $20,000/pair; the C1 stand-mount has been similarly improved, with the standard version costing $7700/pair, the high-gloss Signature $8500/pair. Dynaudio is now offering its speakers with a 10 year warranty!

I was astonished to come across a room at T.H.E. Show featuring the Scientific Fidelity brand. Back in the early 1990s, SciFi had some of the most stunning-looking tube amps and preamps, as well as a speaker, the Tesla, that offered spectacular imaging, SciFi's founder, Mike Maloney, exited manufacturing many years ago and founded T.H.E. Show, which he subsequently sold to Richard Beers. I bumped into Mike at a CES a few years back, and he had become a best-selling author on valuable metals trading. But the brand was back for 2012 with the stunning-looking, three-way Stylust loudspeaker ($30,000/pair), which sounded clean and detailed driven by the triangular Trillium amplifier ($25,000). Although the gentlemen in the room didn't speak English very well, I gathered that Mike was still the creative force behind the brand.

The Sonist Concerto 3 ($3495/pair) is a favorite of Art Dudley's, who praised its "SET-friendly" nature (April 2009). The system I heard in the Sonist room at T.H.E. Show used the Concerto 4 ($5895/pair), which JA wrote about in his report from the 2011 Atlanta Axpona, The Concerto 4 is claimed to have a sensitivity of 97dB, 2dB higher than the Concerto 3, and the bass is claimed to extend 3Hz lower, to 27Hz. (When it comes to the extremes of sensitivity and bass extension, even small gains are hard to come by.) With a Cary 306 Pro SACD/CD player as the source, Increcable Acoustic Lab TIA216 integrated amp (300B-based), Acoustic Revive power conditioner, and Exakte cables, the sound was clean, open, and "fast" on percussion.

Thiel and Bryston always share an exhibit area in the Sands Convention Center’s Bassano Ballroom, and this year's CES was no exception. James Tanner, Bryston's upbeat product manager, had gathered a terrific playlist of musical selections on a thumb-drive, which drove the company's $2195 BDP-1 digital file transport, $2195 BDA-1 DAC. Livingston Taylor's whistling on "Isn't She Lovely" opened the playlist, just as it did at the Joseph Audio suite, and many others—it was a common selection at the Venetian exhibits. Sound from the $9500 Bryston SP-3 preamp/processor ($7900), three-channel Bryston 6BSST2 amplifier, Thiel CS1.7 speaker prototype and Thiel USS SmartSub Subwoofer produced soundstage depth and imaging that was among the best, almost as good I heard at the much more expensive system in the VTL suite. Tanner walked me through Bryston's newly announced BHA-1 headphone amplifier featured in the photo ($1295), which is highly versatile, including twin XLR outputs for balanced headphones, and both XLR and ¼ jacks for conventional headphones.

If the Lamm room in the Venetian with the Wilsons was one of the first I visited at CES, the last room I visited was Tempo Marketing's in the Mirage Penthouse. I reported last October that Tempo had taken over US distribution of this Scandinavian brand. As well as the stand-mounted Cenya ($4000/pair), which I had heard at the 2011 RMAF, Tempo was demming the floorstanding, two-and-a-half-way Sara S ($7995/pair), shown in my photo. The Sara S combines two magnesium-cone SEAS mid-woofers with a SEAS tweeter in an enclosure that comprises a unique construction combining MDF and plywood.

Robert Deutsch reported below on PBN's $14,999/pair Liberty speaker. My attention in the company's large room at T.,H.E. Show was attracted by the large WAS2 (right), which costs $55,000/pair, with its piano-black lacquer-finished enclosure and mahogany hardwood front baffle, and weighs 1000 lbs/pair. It combines two 15" subwoofers, driven by a 1kW ICE-Power amplifier, two 8" coated paper-cone woofers, two 5.25 Nextel-coated paper-cone midrange units, and a 1.1" soft-dome tweeter. Frequency response is quoted as 18Hz–22kHz ±1.5dB and sensitivity is said to be 94dB!

The great thing about audio shows is whom you bump into in the corridors. Here is legendary engineer John Curl, who has been designing the superb-sounding Halo series of amplification components for Parasound—dig the name badge which, instead of the usual "Exhibitor," "Press," "Sales Representative," or "Consultant," simply and very appropriately says "Engineer."