LATEST ADDITIONS

KEF's Home THX speaker system is somewhat unusual in that it includes an active subwoofer. (While most Home Theater subs are powered types; it's just that few THX models are.) Although powered speakers have never enjoyed much popularity with American audiophiles, they can yield better results than the mix'n'match approach because each amplifier/driver combination can be optimized.

At the 133rd Audio Engineering Society (AES) Convention at San Francisco's Moscone Convention Center, a full house flocked to aptly numbered Room 133 on October 27 to hear Stereophile's John Atkinson and four other major audio professionals deliver a two-hour presentation, Loudness Wars: The Wrong Drug? Sharing the stage were the panel's chair, Thomas Lund of TC Electronic A/S from Risskov, Denmark; Florian Camerer of ORF of Vienna, Austria; fabled recording and mastering engineer Bob Katz of Digital Domain in Orlando, Florida; and the equally fabled George Massenburg, McGill University, Montreal, Quebec, Canada, who engineered, among other things, that audiophile favorite, Jennifer Warnes' "Bird on a Wire."

Those of you in the New York area for the holidays (or for all times) should know that two of the best jazz groups around are playing at the two best jazz clubs: Maria Schneider and her Jazz Orchestra make their traditional Thanksgiving-week appearance at the Jazz Standard, and Jason Moran and his Bandwagon trio are at the Village Vanguard.

“A change is gonna come, oh yes it is,” said once the wise prophet Samuel. What the prophet failed to foretell was that change never just comes, change is made. Well audiophiles, this is your opportunity to make a change. Valiant Stereophile forum poster sometimesuk2012 started a petition on Change.org to “Stop the Loudness Wars and Release High Definition Music Downloads”. You can find out more about the petition and sign your name here. Here’s your chance to stop whining about that over-compressed pap—see Jason Victor Serinus' report from the 133rd AES Convention—and start enjoying some well-recorded pop. It all starts with your signature.

Three weeks ago, I published my top five guitar solos, a subjective list based entirely on the guitarists’ ability to move my soul through their combination of note selection and technical wizardry. These self-imposed standards led to many obvious guitarists being left off the list in favor of some less-spoken for guitar heroes with a penchant for inspiration and resourcefulness. Now I’m putting the power in your hands. Using my original list plus your suggestions in the comments section, I created a collaborative Spotify playlist titled “Stereophile - Greatest Guitar Solos Ever”. You are all invited to add songs to this list and share what you feel are the most important leads of all time. It’s a guitar solo potluck where you can hear what other playlist subscribers have to offer as well as showcase your own tastes. Open the playlist in Spotify via this link or in your web browser here. Drag songs from different artists and albums to the playlist on the left-panel of the Spotify interface to add your choices to the list. Have fun!

Apart from a 2004 column in which I made cruel fun of the angriest (footnote 1) complaints I'd received to that point—an entertaining if lazy template I hope to re-use before long—I've done little to acknowledge the mail I receive every week, most of it thoughtful and positive. I'm especially grateful for the nice letters I get every time I write about vintage audio, as I did in Stereophile's August issue ("Five vintage loudspeakers you should hear before you die"): The art of music is best served by an open-minded approach to playback gear, and I'm encouraged to think that some Stereophile readers actually understand that.

Humble, unprepossessing, modest are not words normally associated with lead guitarists, or lead singers, or lead anything. But Albert Lee, the Fender Telecaster devotee, has, by all accounts, always been refreshingly down to earth. The other unusual quality about Lee is that he's an English guitarist who, in country music, can hold his own against any American player.