Brad Lunde, President, of Lone Mountain Audio, the US importer for English speaker manufacturer ATC, showed me this three-way, floorstanding, powered ATC SCM40A loudspeaker ($12,499/pair).
"Here is a recording that should never be played on this small speaker," said Nola's Carl Marchisotto, as he cued up Reference Recordings choral spectacular, John Rutter's Requiem, to play on Nola's new $19,800/pair Studio Grand Reference Gold loudspeaker.
The $80,000/pair MartinLogan electrostatic hybrid, the Neolith, played with wonderful spatial imaging and translucent sound. The speaker's enclosure was painted in a glossy, thick automotive glass red paint called Rosso Fuoco, but is available in 6 other colors.
Stereophile's Jon Iverson grabbed me in the hallway of the Venetian Hotel's 35th floor. He was excited. "You've got to see Avantgarde's new loudspeaker on the 31st floorit's full of features not found in most other loudspeakers." I rushed down the back stairs of the Venetian, and found Avantgarde's Executive Manager, Armin Krauss, who walked me through the $18,500/pair, three-way, Zero 1 loudspeaker.
Burmester's upbeat and gregarious CEO, Dieter Burmester, was eager to give a live demonstration of his two newest loudspeakers, the $60,000/pair BA-71 and the smaller $30,000/pair BA 31 (above). The larger BA-71 uses four 160mm woofers while the BA-31 employs two woofers.
The huge $43,000/pair Acoustic Zen Maestro loudspeaker is an imposing 225 lb, 67"-tall, 4-way, floorstanding transmission-line speaker system that physically dominated its seemingly tiny-by-comparison exhibit room.
"This is our new top-of-the-line subwoofer," said James Tanner, as he proudly showed a non-playing Byrston Model T subwoofer that will retail at $4795 each. He described why Bryston built a 110' tower to confirm that sub's anechoic response does actually reach down to 12Hz.
All the Harman boys were over at the Hard Rock Hotel rather than the official CES sites, but I was able to swing by on my way to the airport to see the new statement amp from Mark Levinson, the No.536.
Nelson Pass's introductory claim was modest: "Pass simply added some input selection and level control to the front end to turn these amplifiers into new integrated models." What I saw were two impressive integrated amps that are clearly derived from the larger Point 8 amps.