LATEST ADDITIONS

Arcam FMJ P49 power amplifier

John Atkinson Oct 29, 2015

I first met electronics engineer John Dawson in 1979, at a British audio show. The company he'd co-founded, A&R Cambridge, had just launched the A60, a slim, elegant-looking, 40Wpc integrated amplifier costing only £99 (then equivalent to $217).

By the time I reviewed the Mk.2 version, in the October 1984 issue of Hi-Fi News & Record Review, the A60's price had risen to £199 ($248), the company was now called Arcam, and more than 22,000 A60s had been sold, making it one of the best-selling amplifiers in England. While preparing that review I had visited Arcam's factory, near the English town of Ely, where Dawson had shown me filing cabinets containing a separate manufacturing report for each and every one of those A60s.

Art Dudley Listening Integrated Amp Reviews

Listening #155

Art Dudley Oct 29, 2015

Please don't tell her I said this, but lately, my wife has been getting twitchy about my records. Twitchy as in: She wants me to sell them. Or at least some of them.

I have only myself to blame. For years, I have shared with her my every joy that came of finding, at a lawn sale or garage sale or on eBay or at a record store whose proprietors "had no idea what this thing is worth," some rare and valuable treasure. And therein lay another facet of my problem: As often as I would rejoice at the music I was poised to enjoy, or the sheer pleasure of acquiring something rare and well made, I would roll, pig-like, in the pleasure of the thing's potential monetary value. Old Testamentstyle dark clouds fill the sky outside my window even as I type this.

News TAVES 2015

Canada's TAVES Starts Friday

Jason Victor Serinus Oct 28, 2015

Canada's biggest three-day consumer audio and lots more show, TAVES, is poised to break its former attendance record when it opens in Toronto, Ontario on October 30. Newly reframed as "Canada's Ultimate Consumer Electronics Show," it opens less than a month after Denver's Rocky Mountain Audio Fest, and a mere week before the start of the Westchester County version of the New York Audio Show.

Headphone Reviews InnerFidelity

Shakin' it with the Subpac S2 Headphone Subwoofer

Tyll Hertsens Oct 27, 2015

This story originally appeared at InnerFidelity.com

Over the years I've tried a number of headphone subwoofer gadgets. Most didn't work well at all. The Subpac S2 is a whole 'nother story.

Robert Baird

Grind & Groove

Robert Baird Oct 23, 2015

They live to seek the little black holy grail…with the big hole in the middle.

News

Dealer Event in Spokane, Tuesday October 27

Stereophile Staff Oct 22, 2015

Tuesday, October 27, 69pm: Huppin's (8016 North Division, Spokane) will host an evening of music, hi-fi, and technology. Manufacturer representatives from AudioQuest, Klipsch, MartinLogan, and McIntosh will be on hand to share new products, play great music, and answer questions.

Integrated Amp Reviews

Musical Fidelity Nu-Vista 800 integrated amplifier

Michael Fremer Oct 22, 2015

Nuvistorsminiature, small-signal, vacuum tubes made of metal and ceramicwere introduced by RCA in 1959, at the dawn of the transistor revolution. RCA used them throughout the 1960s in its New Vista line of television sets, mostly in the tuner section. But by the early 1970s, solid-state devices had all but replaced tubes, nuvistors included (with a few notable exceptions). Ampex based the electronics of its well-regarded, late-'60s MR-70 open-reel tape deck on nuvistors, which were also used in microphone preamplifiersin both cases for their very low noise and reputation for reliability and long life. For a time, Conrad-Johnson used them as well. While nuvistors may seem exotic today, they're hardly rare. On eBay you can find for sale hundreds if not thousands of used and new-old stock (NOS) nuvistors, as well as nuvistor sockets, without which the tubes are less easy to implement. (But they can be, and often are, hard-wired into a circuit.)

Digital Processor Reviews

Chord Electronics Hugo TT D/A headphone amplifier

Jon Iverson Oct 21, 2015

The British company Chord Electronics has always seemed to me to be audio's crazy uncle: Crazy like a fox, maybe, but definitely marching to their own tune. Their casework design often borders on the gratuitously provocative, challenging audiophiles' ideas about good taste. Yet many of my audio pals swear by the sound of Chord components, and I've heard them shine in many respectable showrooms.

As We See It

Starting Over Again for the First Time

Richard Lehnert Oct 20, 2015

"There are two kinds of music. Good music, and the other kind," Duke Ellington is famously supposed to have said. But that doesn't tell us how to recognize "good music," and it doesn't define good. Nor will this essay. Many have described the music of, say, Mozart or J.S. Bach with such phrases as the music of heaven or the mind of God orespecially Bach's musicthat it embodies the basic structure of the universe/existence/reality. I've said such things myself.

Recording of the Month

Recording of November 2015: Hommage à Eberhard Weber

Robert Baird Oct 20, 2015

Various Artists: Hommage à Eberhard Weber
Pat Metheny, Jan Garbarek, Gary Burton, Scott Colley, Danny Gottlieb, Paul McCandless, Michael Gibbs; SWR Big Band, Helge Sunde, conductor
ECM 2463 (CD). 2015. Martin Muhelis, concert prod.; Doris Hauser, Volker Neumann, Boris Kellenbenz, Pete Karam, Manfred Eicher, engs. DDD? TT: 69:48
Performance *****
Sonics *****

There once was a joke about how technology would someday replace troublesome musicians: Instead of putting up with drummers being late to gigs, keeping irregular time, and stealing everyone else's girlfriends, a trouble-free robot could take over. It seems that some of those predictions have come true. This single disc documents two concerts held in Stuttgart, Germany, in January 2015, to celebrate the 75th birthday of hometown German jazz electric bassist Eberhard Weber, who has been unable to play since suffering a stroke, in 2007. Via tape loops and video samples of Weber playing, he nonetheless played a large part in his birthday celebration, particularly in the concerts' centerpiece, Pat Metheny's 30-minute "Hommage," a rare example of Metheny writing for big band and a tour de force of Weber's distinctive playing.