LATEST ADDITIONS

Monitor Audio's Platinum PL300 II loudspeakers weigh 120 lbs each, and my listening room is on the second floor, but I was spared the heavy lifting. The speakers were delivered by Sheldon Ginn, Jeffrey Ginn, and Jamie Arseneau—respectively, the VP of Sales and Marketing, Account Manager, and Service Manager of Kevro International, Monitor Audio's North American distributor. We set up the PL300 IIs, ensuring that the distance from each speaker to my listening seat was the same, then optimized the toe-in: the speakers ended up almost directly facing the listener position, close to where I'd had Wilson Audio's Sabrinas.

I recently watched Terra, an exceptional film by French directors Yann Arthus-Bertrand and Michael Pitiot. It's not a nature documentary per se, rather a history of life on Earth from lichens to lions, amoebas to humans. Terra boasts stunning cinematography of the natural world, revealing a beauty that nearly softens the film's cautionary message.

"How have our relations with other living beings changed so much?" asks Arthus-Bertrand on his website. "What do we still see, or notice, of the living world around us? . . . We no longer see the wild, we dream of it. It's an age-old fascination, visible in the paintings of the Chauvet Cave. But this dream is today disappearing, vanishing in factory smoke and industrial smog. . . .

We all live with earwax. Some more than others, but none of us are immune.

A buildup of excess wax can potentially cause blockage, tinnitus, an infection, or worse: sudden or partial loss of hearing! (Whatever you do, do not Google image search "earwax buildup.") To the average human, a temporary reduction in hearing is an inconvenience. But to the average audiophile, a temporary reduction in hearing could very well mean fatality. (Said in Mortal Kombat fashion.)

This release from VBI Classic Recordings, C.F. Kip Winger, is not only for all the rock'n'rollers amongst us, but also for lovers of classical music and ballet. That's because it showcases three ballet-inspired scores by the very same of C.F. Kip Winger who founded and lead the rock group, Winger. He's also the same Kip Winger who played bass with Alice Cooper from 1985–1987, and performed and recorded with Alan Parsons, Roger Daltrey, and Bob Dylan.

Friday, October 21, Irvine, CA-based high-end audio manufacturer AudioQuest issued a warning about what appears to be low-priced, inferior-sounding counterfeits of its discontinued AudioQuest DragonFly v1.2. The matter was brought to AudioQuest's attention by a consumer who saw a thread on Reddit about a product that resembled the discontinued DragonFly 1.2's proprietary technical features. The real DragonFly is pictured above right with the subject of the Reddit thread on the left.

Martha Argerich: Early Recordings
Beethoven: Piano Sonata 7 in D, Op.10 No.3. Mozart: Piano Sonata 18 in D, K.576. Prokofiev: Toccata, Op.11; Piano Sonatas 3 in a, Op.29 & 7 in B-flat, Op.83. Ravel: Gaspard de la Nuit, Sonatine.
Martha Argerich, piano
Deutsche Grammophon 479 5978 (2 mono CDs). 2016. No prod. or eng. credits given. ADD. TT: 2:10:50
Performance *****
Sonics ***½

There is no dearth of recordings by the great Argentine pianist Martha Argerich—over 150 are listed in her discography—and here, in honor of her 75th birthday, are two more discs, comprising previously unreleased material. Argerich has been playing publicly since she was eight years old; in 1957, she won the Busoni and Geneva competitions and continued to concertize, but it was not until she won the Chopin Competition, in Warsaw, in 1965 that she began to become a household name (in pianist-loving households). There is a rumor that she has never given a bad concert or made a poor or uninteresting recording; this new set does nothing to contradict it.

With Sony's latest flagship single-box player ($1700), we find yet another variant on 1-bit D/A technology—High Density Linear Converter, or HDLC. At the heart of this Pulse Length Modulation (footnote 1) D/A technique is Sony's CXD-2552 Pulse D/A converter (two per channel in complementary mode in the CDP-X77ES). This complex LSI chip incorporates a third-order noise shaper, the PLM converter, and a digital sync circuit receiving its input from the system clock.