LATEST ADDITIONS

The critic Gary Giddins once wrote that Kenny Dorham is "practically synonymous with underrated," so don't feel ashamed if you've never heard of this golden-toned trumpeter, who came up in the 1940s alongside the bebop giants, toiling for a decade as a sideman. Quiet Kenny, a 1960 album on the New Jazz label, is the only Dorham album that features no other horn player. It's just his quartet, and what a quartet—Dorham is accompanied by Tommy Flanagan on piano, Paul Chambers on bass, Art Taylor on drums.

1996 was a banner year for Ray Davies—one of the most talented writers and conceptualists rock has ever produced. After more than 30 years with The Kinks, the group he has led off and on along with his younger brother Dave, Ray was enjoying a new career as a solo artist. His keen wit and storytelling ability enabled him to take his remarkable one-man play, 20th Century Man, to packed houses and critical acclaim all over the United States. The play, based loosely on his equally remarkable fictionalized autobiography, X-Ray, provided a unique insight into the forces that have shaped Ray Davies's long, prolific career as a rock songwriter.

The $499 NAD 5000 looks nothing like most inexpensive CD players. Its plastic trim doesn't look cheap. It doesn't look expensive either, but it certainly won't be embarrassed to show its face in polite company. The front panel is neatly arranged and easy to interpret and use. It's the smallest and lightest of the present company of players—the only obvious physical reflections of its low-budget heritage. Inside, however, NAD has done a lot to put your money where it counts.

New York City upright bassist Chris Lightcap is an excellent musician with an eye towards vintage environments. He lives with his family in a gorgeous Art Deco building, covets his wife's collection of 1950s and '60s-era cameras, has his own amazing collection of classic electric basses and guitars, and his comfortable apartment was once home to a Mafia hit-man. . . Lightcap's hi-fi consists of a Thorens TD-160 turntable, an early '60s era Fisher KX-100 Stereo Master Control Amplifier, Dynaco FM-3 Stereo Tuner, TCC TC-754 Black RIAA Phono Preamp, and KLH 17 loudspeakers.

Nominated for a 2017 Grammy Award for "Best Classical Compendium," ECM's Gesualdo pairs arrangements of the haunting music of Carlo Gesualdo da Venosa (1566–1613) with Gesualdo-inspired works by living composers Brett Dean (b. 1961) and Erkki-Sven Tüür (b. 1959). If at least one of those contemporary works, performed by Tõnu Kaljuste's justly famed Estonian Philharmonic Chamber Choir and Tallinn Chamber Orchestra, is not exactly what you'd expect, the "compendium" as a whole is unfailingly beautiful and engaging.

Reviewers of high-fidelity gear are a trend-sniffing, topology-bandying bunch. When four of our kin gathered last November over lunch, during the 2016 New York Audio Show, the high-end chatter flew fast and furious. "Did you hear those mother-rocking big horns on the seventh floor?" "Nah, man, the Bruno Putzeys speakers on nine were best in show." "What about those li'l Lowthers on eight? Great sweet spot, but small as peanuts."

In Stereophile's January 2016 issue, I began a series of reviews of $10,000 CD players and transport-DAC combinations: an informal and serial survey, the goal of which was to gather, over time, the likeliest candidates for one's Last CD Player Ever. My choice of $10,000 as the target price was more or less arbitrary, although, in retrospect, that's about what I've invested in my go-to combination of turntable, tonearm, and pickup head—so, who knows? Maybe my subconscious was acting out.