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There may be US shows with greater attendance, but there is a special energy about the Rocky Mountain Audio Fest that sets it apart from the rest, and keeps exhibitors and dedicated audiophiles returning year after year.

Thus was it fitting that, at the end of the Rocky Mountain International HiFi Press Awards (RIHPA) on the first night of the show, Gabi Rijnveld of Crystal Cable (left above) presented show organizer Marjorie Baumert (right) with a crystal rose pendant in honor of her dedication to the industry members and consumers who make high-end audio what it is.

Sunday afternoons at audio shows are when the good sound is just kicking in. The rooms' components have recovered from the trauma of travel and are starting to purr. Unfortunately, that's when the toys go back in the boxes. That is also when this humble reporter looks like he's been dragged behind a car.

And this Sunday, just when I thought I was done being dragged, I get this mad call from an out-of-breath Jason Victor Serinus, saying, "Herb! Get your ass up to room 1125 (the Parasound-Tekton room). The sound is amazing, and you must listen to this speaker. Hurry up!"

Vana Ltd. had two rooms at RMAF. Both rooms had stereo systems set-up, but the first room I entered was filled by a hoard of standing, chattering people of all sexes. It looked like they were making big business deals so I decided to not eavesdrop or interrupt. However, the sound of music coming from the Vana room next door was inviting. I slipped in and was greeted warmly by Nancy Weiner and Audio Physic's Manfred Diestertich.

Last year, Vaughn Loudspeakers' flagship Plasma Signature towers ($20,000/pair), featuring eight midrange drivers in a bipolar configuration (four front and four rear), a 12" powered subwoofer, and their signature plasma tweeter, were my BIG best-in-show discovery…

Everything matters. Everything is not always necessary, but everything does make a difference….

Wanna see the speaker component of my hands-down steal system of RMAF 2017…?

Impressive bass control and speed on a recording of taiko drums, excellent timbres, and an equally captivating sense of spaciousness on Lyle Lovett's "North Dakota" left no question that this attractive mid-priced system from Paradigm and Anthem would make many an audiophile very, very happy.