LATEST ADDITIONS

The last time I covered the New York Audio Show it was not, frankly, a great experience. The show was really small. It seemed like everyone was playing Diana Krall or some pop-classical piece from an audiophile label. Nobody, it seemed, dared to play interesting music.

Thursday November 15, 7:30–10pm, Audio Vision S.F. (1628 California Street—at the end of the historic cable car line—San Francisco, CA 94109) is holding what they call a "BIG FREE HOME AUDIO EVENT!!" Featured will be D/A processors from Chord Electronics, a SME Reference turntable system, loudspeakers from Raidho, and Nordost power and cabling systems.

We know, we know, it's only November 12. But it's one heck of an issue, featuring our Products of 2018, and it's hitting newsstands, tablets, and mailbox now! The versatile Ovation PA 8.2 preamplifier from German company AVM is featured on the December cover and this issue's line-up of reviews has a European flavor: as well as the AVM, we audition Elac's Adante AF-61 speaker and EMT's HSD 006 phono cartridge (Germany); the ATC CDA2 CD player, Harbeth P3ESR minimonitor, and Wharfedale Diamond 11.2 bookshelf speaker (UK); Ortofon SPU Wood pickup head (Denmark); and Aqua Formula xHD DAC (Italy).

A fun fixture of every audio show is the hanging badge-on-a-lanyard we all acquire at the registration table. I'm glad for these things—at least the large-print editions—because they help me overcome the steady embarrassment I feel because I can't remember any names. If you know me, I am sure you have talked to me while I've stared at your belly trying hopelessly to memorize your name.

I could ride my bike there from Brooklyn. What's not to like?

By far the most complicated of the three preamps i review in this issue in terms of facilities offered, NAD's "Monitor Series" 1300 ($398) provides two buffered tape loops, an external processor loop (which can also be used as a third tape-recorder loop), a headphone output, a "null" switch, switchable bass equalization to extend the low-frequency range of small loudspeakers, and treble and bass controls, each with a choice of three turnover frequencies: 3kHz, 6kHz, 12kHz, and 50Hz, 125Hz, 250Hz, respectively.

Japanese audiophiles venerate American high-end audio components, paying huge sums for vintage Marantz tube amplifiers, racks of Levinson ML-2s, and early Audio Research tube preamplifiers. The balance of trade, at the high end anyway, hasn't been reciprocated: Japanese high-end amplifiers and preamplifiers have not received as positive a reception in the US. Perhaps it was a matter of styling, but the sonics of the Sony Esprit line and the class-A Stax amplifiers did not receive the following they might have, had the products been American.