
LATEST ADDITIONS
More from Munich: Aries Cerat Symponia Loudspeakers, Cerat Erevus 5 Basshorn System, Achilleas Legend SET Amplifier, Impera II Reference Preamplifier
Pass Laboratories XP-22 line preamplifier
A friend called me up a few weeks ago and asked if the DAC we both own had received an automatic firmware update he hadn't heard about; something had changed, it wasn't good, and he couldn't figure out what it was. His system's sound was suddenly pale and unfocused.
There had been no firmware update.
Pro-Ject Audio Systems Stream Box S2 Ultra network bridge
Meze Audio 99 Classic headphones
Von Schweikert Ultra Reference 9 Loudspeaker, VAC 450iQ Integrated Amplifier, Acoustic Signature Invictus Jr. Turntable, and Esoteric N-01 Network Audio Player
Parasound Halo Hint 6 integrated amplifier
Recording of June 2019: Carnival: The Sound of a People, Vol 1
Etienne Charles, trumpet, percussion; Brian Hogans, Godwin Louis, alto saxophone; David Sánchez, tenor saxophone; Sullivan Fortner, James Francies, piano, Fender Rhodes; Alex Wintz, guitar; Luques Curtis, Russell Hall, Ben Williams, bass; Obed Calvaire, drums; D'Achee, congas. With: Claxton Bay Tamboo Bamboo, Laventille Rhythm Section, other percussionists.
Culture Shock EC007 (2 LPs). 2019. Etienne Charles, prod.; Glenn Brown, Christian Burkett, David Darlington, Mark Wilder, engs. DDA. TT: 67:20
Performance ****
Sonics ****
Etienne Charles, the Trinidadian trumpeter, percussionist, and Guggenheim fellow, has a knack for album concepts. His 2013 album, Creole Soul, starts with an incantation from an actual Voodoo priest and goes on to cover Creole-influenced tunes from Bob Marley and the Mighty Sparrow. Thelonious Monk is also in the mix, with his "Green Chimneys," which features a calypso melody Charles speculates Monk first heard in New York's San Juan Hill, a Caribbean neighborhood where Monk lived for a while.
Exposure XVII preamplifier
It's hard to find a good full-function preamp (ie, one that includes a phono stage) at a reasonable price these days. There are plenty of great preamps on the market, but they tend to be expensive or line-stage onlyor expensive line stages. Moreover, many manufacturers are omitting phono stages altogether, on the assumption that people don't listen to LPs anymore.