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A perpetual problem for audiophiles is finding that disc that not only satisfies the soul, but placates the brain as well. While pondering last week's question about the value of his music collection, reader Randy Meenach wondered how much of it actually sounds great.

On October 1 and 2, engineers, marketing executives, and journalists filled the Hyatt Regency conference center near the San Francisco airport for the DVD-Audio Forum. A long afternoon of technical lectures left us numb. "Therapy for insomniacs" is the only way to describe the seemingly endless Power Point presentations. Microsoft's Power Point seems to be the standard format at all large gatherings, and it's as soporific as hearing a professor read from a textbook.

Running close on the heels of the 105th AES Convention in San Francisco, the <A HREF="http://www.dvdforum.org">DVD Forum</A> held its conference two days later in the posh Hyatt Regency near the SF Airport. Attended by a variety of computer and consumer-electronics industry folk who manufacture and sell DVD discs and hardware, more than half of day one was devoted to the emerging DVD-Audio format. Although the presentations became highly technical at times, the sheer variety of possible formats and applications for DVD-Audio became apparent. Whether this is a blessing or a fatal flaw, all agreed that the consumer will ultimately determine DVD-Audio's fate in the next 2 to 5 years.

Cats vs. dogs, Wile E. Coyote vs. Roadrunner, Spy vs. Spy, Analog vs. Digital. It seems that some battles will never end, and so it is with flux vs. bits in the professional recording industry. The Audio Engineering Society (AES) conventions dazzle showgoers with the latest audio recording and processing gear, mostly digital, and this year's show is no exception. The big buzz heard 'round the hall were higher sampling and quantization rates for future music formats such as DVD-Audio. But off-site, at the nearby ANA hotel (great choice of venue---just add LOG) in downtown San Francisco, key industry heavyweights were holding a meeting to discuss the future of analog recording technologies.

So where did we leave off? I think you were wandering around the listening room clapping your hands. You were, I hope, listening to the slap echo and noting how it changed as you meandered about. That's probably just when someone near and dear bumped suddenly into the room and gave you that peculiar look we audiophiles know so well. Try to explain what you're doing.

Last week we asked about the cost of your system, but reader Matt H. suggested we ask about the cost of the software to feed it.

HDCD and <A HREF="http://www.hdcd.com">Pacific Microsonics</A> appear to be on a roll these days. The HDCD process, developed to coerce 20-bit performance out of the 16-bit CD format, is gaining several new licensees and is also appearing in more devices, as evidenced by several recent announcements. The company is also looking ahead to future DVD formats with an agreement intended to couple HDCD benefits with higher sampling rates.