LATEST ADDITIONS

As Michael Fremer puts it, "In analog, it's the little things that count, and Rega's upgrade of the basic Planar 3 design to the Planar 25 can only be described as visibly 'small.' But the sonic improvements I heard during my first encounter with the $1275 arm/'table combo were audibly <I>big</I>." Fremer takes a close look at and listen to the <A HREF="http://www.stereophile.com//analogsourcereviews/309/">Rega Planar 25 turntable</A> for <I>Stereophile</I> readers and attempts to reveal all of its secrets. Sam Tellig adds his two cents' worth.

According to the latest statistics from the <A HREF="http://www.ce.org">Consumer Electronics Association</A> (CEA), overall consumer electronics sales for 2000 posted gains of 7% over 1999, reaching $8 billion. However, overall audio sales at the end of 2000 dropped as compared with November 1999, declining 5%, with $854 million in revenues for the month. The CEA says that sales to dealers of separate audio components also declined in November dipping around 4% as compared to the same period in 1999, but overall, sales of separate audio components have had a positive year rising 7% to $1.4 billion in revenue thus far.

Drummer Billy Higgins started his remarkable career backing up R&B musicians such as Amos Milburn and Bo Diddley around the LA area before embarking on his jazz path with the Jazz Messengers (led by Don Cherry and saxophonist James Clay) and Dexter Gordon. But it was his association with Ornette Coleman, starting in the mid 1950s, that electrified the jazz world and made him a force to reckon with. His first recordings, with Coleman and Red Mitchell, were released in 1958. In 1959, he performed with both Coleman in New York and Thelonious Monk in San Francisco, and from that point on, he never stopped recording or touring.

In a move that some cynics are calling "the beginning of the end" for the <A HREF="http://www.sdmi.org/">Secure Digital Music Initiative</A>, the group's director has abruptly resigned. Leonard Chiariglione, who has headed the cross-industry anti-piracy organization since its inception more than two years ago, made the announcement Wednesday, January 24 at the first SDMI meeting of 2001.

Citing the desire to take advantage of the power of sharing audio files over the Internet, one of the larger independent record labels, <A HREF="http://www.tvtrecords.com/">TVT Records</A>, announced last week that it has withdrawn its copyright claims against the file-sharing company <A HREF="http://www.napster.com/">Napster</A&gt;. TVT said that the basis for its decision to end the lawsuit and provide its support to Napster is "the new service Napster is evolving under the strategic alliance it recently announced with Bertelsmann AG." TVT points out that, since Bertelsmann is still technically a party to litigation with Napster, it becomes the first record label to fully settle with the beleagured Web company.

At the Consumer Electronics show in Las Vegas in January 1999, Mark Schifter, erstwhile president of Audio Alchemy, was handing out a press release announcing what seemed like a groundbreaking product from his new company, Perpetual Technologies. The product was the P-1A, a digital-to-digital processor that would do resolution enhancement, loudspeaker correction (amplitude and phase), and room correction—all for less than $1k. It sounded too good to be true.

The dCS Purcell is named after Henry Purcell, the English composer, organist, bass, countertenor who was born in 1659 and died in, alas, 1695. It's a digital/digital converter intended for consumer use, as opposed to the less elegantly packaged pro-audio version, the dCS 972, that I <A HREF="http://www.stereophile.com//digitalsourcereviews/260/">reviewed</A&gt; in February 1999. Both devices increase the sample rate and/or word length of the output from linear PCM digital audio sources like CD or DVD up to a maximum sample rate of 192kHz and a word length of 24 bits. According to the extensive documentation, this is achieved by "using extremely powerful and accurate digital interpolation filters, which yield an output signal having negligible levels of distortion."