The Fifth Element #12
The subject was horses' fannies.
The subject was horses' fannies.
Single-ended triode amplifiers (SETs) have a considerable following, but even their most devoted fans admit that its maximum power output is not among an SET's strengths. You'd be lucky to get an SET that puts out 7Wpc, and some (like those using the 45 tube) are closer to 2Wpc. Highly sensitive speakers (<I>eg</I>, horns) will tend to offset the power limitation, and SETs usually sound more powerful than their measurements indicate, but the laws of physics still apply: 2W is 2W, regardless of the kind of amplifier that produces it, and an amplifier's manner of clipping and recovery from overload take us only part of the way toward achieving greater volume.
Pioneer, Marantz, Yamaha, and Onkyo now have universal disc-players on the market. Are you interested?
A long-running dispute between the music industry and small webcasters may have come to an amicable conclusion. Over the weekend of October 5-6, representatives from both sides agreed on a system of royalties to be paid to record labels and artists based on a percentage of webcaster revenue or expenses, rather than on a per song basis. Last summer, Librarian of Congress James Billington decreed that all webcasters should pay a royalty rate of 0.07¢ per song per 1000 listeners. Many small webcasters, including many college radio stations, chose to go offline rather than face fees they couldn't afford.
Amplifier of the year? We'll have to wait until the votes are tallied in the December issue, but Paul Bolin reviews the <A HREF="http://www.stereophile.com//amplificationreviews/683/">Halcro dm58 monoblock power amplifier</A> and reveals what the fuss is all about. As Bolin notes, "the sheer audacity of Halcro's claims generated much curiosity and interest."
For years, we've seen attempts to disguise <A HREF="http://www.audiocircuit.com/9041-esl-circuit/Commercial/Audio4-AU4/9041… as paintings</A>. A pair of announcements last week highlights the ongoing drive within the consumer electronics industry to find new ways to hide speakers within other objects.
Media critics may be right: If record companies had spent as much effort building a digital distribution network as they have fighting digital piracy, they might actually be making money online instead of complaining about it. This is the conclusion of a new report from KPMG and the Economist Intelligence Unit.
Beginning early next year, digital satellite radio startups may have some competition from terrestrial broadcasters, thanks to an October 10 decision by the <A HREF="http://www.fcc.gov">Federal Communications Commission</A> (FCC).
Sales of recorded music declined by 9.2% on a monetary basis and 11% on a unit basis worldwide during the first half of 2002, according to recently released figures from the <A HREF="http://www.ifpi.org">International Federation of the Phonographic Industry</A> (IFPI). The drop is a continuation of a long slump that began in the mid-1990s, blamed by many music industry executives on the widespread use of CD burners and the popularity of downloading tunes on the Internet. Others acknowledge that increasing competition for consumers' time and money—especially films on DVD—is eating into music industry profits.