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Karmazin joins Sirius: The satellite radio service gained some serious traction in its recent acquisition of former Viacom, Inc. president Mel Karmazin. Just one month after signing "shock jock" Howard Stern to a multimillion-dollar contract, Sirius signed Karmazin to a five-year contract, bringing him in as its new chief executive officer. Joseph Clayton will relinquish the CEO title but remain chairman of the board. Karmazin departed Viacom in June and began discussions in earnest with Sirius after the satellite service landed Stern, in a move Karmazin described as "brilliant." Karmazin had previously dismissed the potential of satellite radio, but now believes it could be huge—larger, perhaps, than the growth he helped nurture at Infinity Broadcasting, which he took from a few stations to more than 200. Sirius stock rose more than 10% on the day Karmazin's contract was announced.

With Michael Fremer's "Tracking Angle" column and periodic vinyl product reviews from many others, should <I>Stereophile</I> be doing even more in this area?

In the world of digital audio, jitter has been a focus of audiophile attention for well over a decade. It is blamed for many of the sonic ills of which CD and other digital media have been accused. But here's a puzzle: The major source of frequency intermodulation distortion in audio systems&mdash;the loudspeaker&mdash;has largely escaped such withering inquiry. Why?

Non-audiophile friends and relatives raised their eyebrows when they saw the Class&#233; Omega Omicron monoblocks. Not only is the Omicron more expensive than any other amp I've used; at 108 lbs, it's heavier than some of the <I>speakers</I> I've used. The Omicron is Class&#233's next-to-top-of-the-line amp in its Omega series, but is still definitely a "statement" product. Brian Damkroger reviewed the Omicron's big brother, the Omega Mono, in the July 2003 <I>Stereophile</I>. I refer you to <A HREF="http://www.stereophile.com/amplificationreviews/878">that review</A> for a more detailed description of the Omicron's basic circuitry.

Sometimes you have to make peace with a loudspeaker. You have to accept it on its own terms rather than ask it to bend to your sonic wishes, or to be something it's not. This is especially true when you're auditioning a seemingly endless succession of them, as I have this year. Like beauty-pageant contestants parading across the stage, all different-looking yet all enticing in one way or another, each speaker I've listened to of late has sounded different from the rest, and each has had a unique combination of strengths and weaknesses&mdash;yet each has been sufficiently "in the pocket" to paint a credible musical picture. Nonetheless, some required more bending on my part than did others, in order for me to <I>believe</I> the musical portraits they were attempting to create.

Being the keyboard fanatic that he is, John Marks would like to know how many of our readers actually have a piano or electric keyboard instrument of some type in their homes.

<B>NRBQ: <I>Dummy</I></B><BR>
Edisun ED-17 (CD). 2004. NRBQ, prods.; Billy Shaw, prod., eng.; Alan Stockwell, Joey Interlande, Chris Anderson, engs. AAD? TT: 37:11<BR>
Performance <B>****&#189;</B><BR>
Sonics <B>****</B>