Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

The Anthem/Paradigm room

The Anthem/Paradigm system may have been simply assembled, but don't let that fool you into thinking it wasn't sophisticated technologically or sound-wise. The Anthem STR integrated ($6000) outputs 200Wpc, comes with a hi-rez DAC, a USB audio input that supports up to 32/384 PCM, a pair of MM/MC phono inputs, and offers room correction. The speakers being fed by the Anthem were the fancy-looking five-driver, 95dB-sensitive, class-D bass-amplified Paradigm Founder 120H speakers ($11,000/pair; review to appear in the December issue of Stereophile).
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Focal, Naim, IsoAcoustics, Kimber Kable in the Kennedy Hi-Fi Room

The speakers on display in the Kennedy room included two pairs of Focal 926s, one of which, standing higher than the other, were threaded with IsoAcoustics Gaia ll feet, the other with the stock feet. Electronics included a Naim ND5 SS2 streamer ($5540 US), which comes with four 24/192 digital inputs, and a 70Wpc Naim Nait SX 3 integrated amp ($5540 US), while cabling consisted of Kimber Kable's Carbon series.
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The BSC Research/Apple Tree Room

The Apple Tree owner and distributor of BSC Research speakers must have done some research on what it would take to put this hard-nosed reporter on his good side because the first he did when I walked into his room was offer me a microbrewery beer. So sneaky. I took a rain check on the beer, but I wouldn't have needed a beer to enjoy the sound I heard in this room.
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Tri-Art in Toronto

The Tri-Art room, the first I visited, started me off on a good foot. It consisted of a presentation given by owner Steve Ginsberg and his colleague Jim Leveille, and it was fascinating. Tri-Art, if you recall from previous show reports, is the audio company that makes a series of electronics and open-baffle speakers whose enclosures, plus "jelly bean" acoustic treatments, are made out of solid bamboo. Steve loves bamboo as a material for its tonal qualities and also because bamboo is so rigid and impervious to splintering, you can mill it like you would metal, with a CNC machine. I also think bamboo has a wholesome, organic, warm aesthetic that's mother-earth sculpture-like.
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Audio Advice Live: a solo audio show in Raleigh

For years, Audio Advice Live has been an annual event, drawing enthusiastic audiophiles to the dealership's showrooms on Raleigh's Glenwood Avenue, next to Virgin Cigars. This year, Audio Advice Live was different. It was a fully fledged audio show, held like most such events at a conference hotel: the Sheraton Raleigh Hotel in that North Carolina city, with rooms sponsored and presented by a wide range of hi-fi and home-theater manufacturers and distributors.
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Recording of November 2022: From Afar

Víkingur Ólafsson: From Afar
Víkingur Ólafsson, grand and upright pianos
DG 4861681 (24/192 WAV, available on 2 CD, 2 LP). 2022. Christopher Tarnow, prod. & eng.
Performance *****
Sonics ****

From Afar seems on its face like a dream recording for audiophiles and music lovers. The 2-CD, 44-track project spotlights Víkingur Ólafsson, the sensitive, 38-year-old Icelandic pianist, performing a captivating program of short pieces twice on dissimilar pianos with very different sound: a concert grand and an upright. The very different performances are dictated by Ólafsson's response to these very different instruments. The contrasts are wondrous.

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