Now that the dust has settled on <I>The Deathly Hallows</I>, Stephen King weighs in on the series and on J. K. Rowling. King, of course, is one of the few fiction authors who can write about Rowling's success without bitterness, and his thoughts on Rowling's craft are sharp. He also knows just a little bit about toiling in the genre-novel wilderness.
Sometimes less is more, but then again, maybe not when it comes to audio. Do you connect your loudspeaker cables to your amp and loudspeaker with bare wire at the ends or with connectors such as pins, spade lugs, or banana plugs? If you use connectors, what kind do you use?
<B>XM/Sirius:</B> Did we just hear the other shoe drop on the XM Satellite Radio/Sirius Satellite Radio merger? On July 25, XM founder and CEO Hugh Panero announced he would leave the company in August. The company named COO Nate Davis president and interim CEO.
Universal Music Group CEO Doug Morris isn't exactly a fan of portable digital players—in November 2006, he referred to them as "just repositories for stolen music." Yet, on August 9, UMG announced that it would offer at least some of its artists' music as MP3 files without digital rights management (DRM) on RealNetworks, Wal-Mart, Amazon, Rhapsody, PureTracks, Transworld, and artists' own websites. Everywhere, that is, except on Apple's iTunes Store, where UMG files will have Apple's FairPlay DRM installed.
I was stumbling through the Denver Convention Center at CEDIA 2006 when I spotted John Franks, of Chord Electronics, and Jay Rein, of Chord's US importer, Bluebird Music, stranded in the basement purgatory for "niche" products. I couldn't resist asking, "What sin relegated you guys to this little hell?"
Audiophile eyes usually roll when a manufacturer describes a loudspeaker as a "genuine musical instrument." Musical instruments have specific characteristics of pitch and timbre. Ideally, a loudspeaker should be a portal to the music; the speaker itself should be neutral in pitch and timbre—in other words, the <I>opposite</I> of a musical instrument. That the <I>sound</I> produced should be "musical" is a different argument.
<B>BEETHOVEN Piano Concertos 1 & 4</B><BR>
Lang Lang, piano; Christoph Eschenbach, Orchestre de Paris<BR>
Deutsche Grammophon B0008725-02 (CD). 2007. Arend Prohmann, prod.; Jrgen Bulgrin, eng. DDD. TT: 74:30<BR>
Performance ****<BR>
Sonics ****
I am hereby boycotting Keith Jarrett. It’s a shame. He’s one of the great jazz pianists, but he’s just become too big a jerk—and, at a time when America has an ugly image in the world, a dreadful ambassador. Here’s <A HREF="
http://www.youtube.com/watch?v=BB9mMABRM0c" >
footage</A> of him cursing Italian jazz fans for taking his picture as he approached the stage, before he even started playing, at the Umbria Jazz Festival. These are people who paid over $100 for what he called the “privilege” of hearing him play. There are polite ways to ask people not to take pictures. You don’t have to treat them like scum.
Insider music biz stuff should in most cases stay that way because normal folk, what I like to call "civilians," don't care about who said what to whom in the bowels of some label HQ in Burbank or Manhattan. There's also something pitifully self-indulgent and exclusionary and ultimately pathetic about people who are in the know about the music biz and live to tell you about it.