Paradigm Premieres a Trio of Premier Series Speakers at Audio Advice Live 2026
Bowers & Wilkins Stands Tall at Audio Advice Live 2026
Steinway Lyngdorf Mounts Up at Audio Advice Live 2026
Playback Distribution Presents a Grand North American Vienna Acoustics Loudspeaker Debut at Audio Advice Live 2026
Focal Attains Utopia at Audio Advice Live 2026
Vibrant HiFi at SouthWest Audio Fest 2026
Rega's Royal Analog Experience at Audio Advice Live 2026
See How the Degritter Mark II Ultrasonic RCM Cleans an LP!
Cambridge Audio Rocks and Rules in a Fidelity Imports Room at Audio Advice Live 2026
Classic Audio Loudspeakers & United Home Audio at SouthWest Audio Fest 2026

LATEST ADDITIONS

Steve's Second Blog Entry

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The Tape Project Ships First Title

As we <A HREF="http://www.stereophile.com/news/012907master/">reported</A&gt; last January, <A HREF="http://www.tapeproject.com">The Tape Project</A>, a collaboration among mastering engineers Paul Stubblebine and Michael Romanowski, both of Paul Stubblebine Mastering, and Dan Schmalle of Bottlehead, plans to release 10 master-quality tapes per year. The Tape Project's inaugural outing, available now, is <I>The Number White</I> by jazz vocalist Jaqui Naylor.

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The Bleys, Part 2: Paul

Speaking of Carla Bley, her ex-husband, Paul Bley, has a new CD, <I>Solo in Mondsee</I> (ECM), and it’s quietly stunning. I’m a bit late with this—the album came out last summer—but then again, it was recorded in 2001, so who’s counting? Paul Bley has been one of the piano giants in jazz for over a half-century. He may be more famous for those he’s introduced to the jazz scene. He led, I think, the first jazz trio that featured Charles Mingus on bass. While house pianist at the Hillcrest Club in Los Angeles in 1958, he hired Ornette Coleman to play with him (when nobody else would); in fact, what became, a few months later, the first Ornette Coleman Quartet started out as the Paul Bley Quintet, minus Bley. Over the years, he’s frequently played with Ornette’s bassist, Charlie Haden, most recently in a night of riveting duets at the Blue Note in New York. (A couple decades ago, the Montreal Jazz Festival held a weeklong celebration in which Haden led a variety of ensembles; all the sessions were eventually released on CD by Verve; the best of the bunch was a trio session with Bley and Paul Motian.)

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