Paradigm Premieres a Trio of Premier Series Speakers at Audio Advice Live 2026
Bowers & Wilkins Stands Tall at Audio Advice Live 2026
Steinway Lyngdorf Mounts Up at Audio Advice Live 2026
Playback Distribution Presents a Grand North American Vienna Acoustics Loudspeaker Debut at Audio Advice Live 2026
Focal Attains Utopia at Audio Advice Live 2026
Vibrant HiFi at SouthWest Audio Fest 2026
Rega's Royal Analog Experience at Audio Advice Live 2026
See How the Degritter Mark II Ultrasonic RCM Cleans an LP!
Dreamscapes A/V at SouthWest Audio Fest 2026
Classic Audio Loudspeakers & United Home Audio at SouthWest Audio Fest 2026

LATEST ADDITIONS

DVD: A Reality Check

The <A HREF="http://www.stereophile.com/asweseeit/1295awsi">announcement in October 1995</A> of the Digital Versatile Disc (DVD) set the hearts of audiophiles and music lovers pounding. Although primarily a digital video and computer-data storage format, DVD's massive capacity could be applied to a "super CD" audio-only disc. Finally we would be liberated from the musical limitations of the CD's 16-bit word length, 44.1kHz sampling rate, and two-channel format. We were tantalized by reports of 96kHz sampling rate, 24-bit word length, and multichannel playback. Digital redemption appeared to be just around the corner.

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A Conga and a Six-Pack

I just got off the phone with Henry Fiol. Though his singing voice ranges from ethereal to ferocious, his speaking voice is that of the common man&#151a City accent, a casual flow, the blurring of sounds the dropping of syllables a friendly slang. He sounds like a relative, one of my father's cousins. He sounds like family.

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That's What I Call a Power Finish

Here's seven minutes of the most cringe-worthy rock spectacle I've ever seen. The official story for this caca-phony is that the backing tapes were played back at 48kHz sampling rate as opposed to 44.1kHz. (Umm, in pro sound reinforcement, wouldn't it be the other way around?) I think Eddie, who has to be eligible for AARP now, was concentrating so hard on getting those jumps just right, he didn't notice the incredible suckitude of the solo&mdash;or, for that matter, the song.
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Heroes

When Luis Sinco snapped Lance Corporal James Blake Miller's picture, he was photographing a hero. But heroes aren't always what they seem&mdash;and they don't always play to type.

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Clive Cussler

I caught <I>Sahara</I> on the tube the other night, and thought its blend of pure mindless fun and solid barely plausible technical background was perfect. It wasn't a great movie, but it was a great guy-flick.

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