LATEST ADDITIONS

Frank Kimbrough's Air

In my last blog, I referred to “my friend, the pianist Frank Kimbrough,” so some of you may be leery when I tell you in this entry that Kimbrough’s new CD, and his first solo work, <I>Air</I> (on Palmetto Records), is a terrific piece of work, one of the half-dozen or so great solo piano albums of the past few years. If your suspicions keep you from checking it out, well, your loss.

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Measurements, Maps & Precision

As I wrote in this space last month, test-equipment manufacturer Audio Precision has loaned Stereophile a sample of their top-of-the-line SYS2722 system, which has both significantly greater resolution and greater bandwidth than the Audio Precision System One Dual Domain we have been using since 1989. The reviews you can read in this issue include the first measurements I have performed with this impressive piece of gear, though there are still a number of graphs I produced using our System One. In fact, with the equipment I tested using the SYS2722, I performed duplicate sets of measurements using both the System One and the Miller Audio Research QC Suite in order to get a handle on how close the three systems agreed. (They did on the tests where the SYS2722's improved resolution was not a factor.)
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Pepsi Did It!

The shoes are now dropping all over the place. We have previously reported that Warner Music Group had dropped DRM on its downloads, <A HREF="http://stereophile.com/news/123107warner/">joining</A&gt; Amazon.com's Download store. Ten days ago, we also reported that Sony BMG had announced <I>it</I> was <A HREF="http://stereophile.com/news/010508sonybmg/">dropping DRM</A>, although it declined to release any distribution details at the time.

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Arrivederci Venezia

I think it's now official: moving the high-performance audio exhibits last year from the Alexis Park to the Venetian has been a complete success. The sound in the tower rooms has been excellent, and exhibitors seem to be finding ways to tame the more problematic acoustics of the large conference rooms on the third floor. And whenever you wanted to take a break, you were only a few steps away from the fake-but-surprisingly-convincing ambience of St. Mark's Square, where it's always early evening, and you don't need an excuse to have some gelato. Ciao!

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Spiral Groove

Immedia's Allen Perkins was running not one, but two Spiral Groove turntables. He was running the original SG1 ($20,000) with Continuum's new Copperhead tonearm ($12,000), but he was also debuting his new SG2 ($15,000) with a Triplanar Ultimate tonearm ($4200).

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