The Riskometer
What are the chances of your dying from various causes? <A HREF="http://www.riskometer.org/">Riskometer</A> tells you.
What are the chances of your dying from various causes? <A HREF="http://www.riskometer.org/">Riskometer</A> tells you.
When Philip Pullman wrote <I>His Dark Materials</I>, he thought he might have written a story that would appeal to a "a few clever kids and a few intelligent adults." The series has been translated into 40 languages and has sold 15 million copies. If he was that wrong about that, he's probably wrong about what it's about, too.
Needless to say, I'm not in London waiting in line at O2 arena but that doesn't mean my thoughts, like those of about every other music fan on the planet, aren't turned to what's going to happen this evening when Led Zeppelin ends two decades of silence and lets it rip in what's being billed as a one-off show for charity.
<A HREF="http://www.aperionaudio.com/home.aspx">Aperion Audio</A> is teaming up with <A HREF="http://www.outlawaudio.com/">Outlaw Audio</A> to offer a holiday savings deal. Here's how it works: Purchase any Aperion speaker system costing more than $998 between now and December 31, 2007 and Aperion will email you a promo code worth 5% off any Outlaw electronic component. Go to Outlaw's site, choose your gear, and apply the promo code for your discount.
<A HREF="http://news.bbc.co.uk/2/hi/health/7127463.stm">New research</A> seems to reveal that the loss of "white matter" because of aging is what causes us oldies to get all addle-pated. I'm not sure I buy the premise that young brains are automatically more "in sync."
In the responses to last week's poll, one reader stated: "It is easier to buy and sell through the Internet. Hi-Fi shops are obsolete."<P>Is this true, are Hi-Fi shops on the way out?
As further evidence that the American empire is on the decline, I submit the 8:00 set Friday night at the Blue Note on West 3rd Street in New York City, where three front-and-center tables of Europeans—twenty young to middle-aged, professional-looking men and women, who all seemed to be part of the same tour group—made more noise at a jazz club than I think I’ve ever witnessed. Shushing and shaming, from me and others in the audience, had but short-term impact; they’d quiet down for a few minutes and listen to the trio on the bandstand (more about them, in a moment), but then got back to the main business of yakking, chuckling, and generally treating the whole proceedings as the soundtrack to their merry Manhattan vacation and us poor jazz fans as mere props in the spectacle.
Among the most hallowed of my ten or so (the number varies) personal commandments of high-end audio is the following (to be uttered in sepulchral tones with deep humility):
I only found out <I>after</I> beginning my auditioning of Mirage's M-1si loudspeakers that the film <I>2001, A Space Odyssey</I> was, at practically the same instant, undergoing a brief theatrical revival in major cities around the US. I might have known. Perhaps it was the persistent Strauss melodies that rattled around in my head as I set them up. Perhaps it was the <I>two</I> 5'-tall monoliths that subsequently stared at me as I sat in my listening chair. For whatever reason, the M-1sis were an imposing sight, and the association with out-of-this-world events was not a difficult one to make.
A new year-long download promotion may spell the death knell for digital rights management (DRM). The Pepsi promotion, which will be formally announced during the Super Bowl on February 3, will advertise a possible one billion downloadable MP3 files, which will be available through Amazon.com's download service, which does not feature DRM. We have not been able to obtain a list of participating labels to date, but since EMI, UMG, and Hollywood Records already participate at Amazon's MP3 store, they're probably involved. Less certain are Sony BMG and Warner Music Group (WMG), who seem to be sticking as much at the 40¢ per song (compared to 65–70¢ from Amazon or 70¢ from iTunes) offered by Pepsi as at the lack of DRM—although neither label has yet offered unprotected digital files.