LATEST ADDITIONS

The accuracy of a hi-fi system's "soundstage" reproduction seems to be of paramount importance these days, just as a component must now have "transparency" to possess hi-fi righteousness. If the system in which that component is used doesn't give good soundstage, then the system's owner has definitely fallen by the wayside. But what defines a good soundstage? Stereo imaging must have something to do with it, I hear you all cry. (I would have said stereo <I>imagery</I> until Larry Archibald pointed out that imagery has far less to do with hi-fi than with good writing, something I'm sure we agree has no place in a hi-fi magazine.) OK, what defines good stereo imaging?

As one of the founders of Threshold Corporation, its present chairman, and its longtime technical head, Nelson Pass has had a hand in the design and implementation of the products to come out of that company since its inception. His <A HREF="http://www.stereophile.com/solidpoweramps/16threshold">SA-1</A&gt; power amplifier and <A HREF="http://www.stereophile.com/solidpreamps/987fet10">FET 10</A> preamplifier have been long-term favorites of <I>Stereophile</I> founder J. Gordon Holt and I reviewed the <A HREF="http://www.stereophile.com/solidpoweramps/1290thresh">Threshold SA-12/e</A> power amplifier a year ago (Vol.13 No.12). I cornered him on a visit to Santa Fe...

Sometimes, Huckleberry simply <I>has</I> to take the high ground and brood. Well, it looks like brooding, but he's not deep, that cat. He's probably thinking <I>How did I get here? How do I get down? What was that middle thing again?</I>

On Christmas day, my friend, the <I>Nuyorican</I> goddess Liz Ramirez-Weaver saw me looking at Junot Diaz's <I>The Brief Wondrous Life of Oscar Wao</I>. "It's good," she said. "You should borrow it."

"You've set the audio industry back 20 years!"

My inbox is blowing up. Every other second, it's <i>ding, ding, ding.</i> New mail, new mail, new mail. Press conferences, product announcements, and party invitations from hundreds of companies who will be exhibiting during the four far too short days that make up the 2008 Consumer Electronics Show.

I don't remember the year, but I remember the moment when I first became intensely curious about Roy DuNann. It must have been about 1975, right after I moved to Seattle. I bought a Sonny Rollins LP called <I>Way Out West</I>, took it home, cued it up on my Thorens turntable, dropped the tonearm, and suddenly I was in a room with Rollins and Shelly Manne and Ray Brown. It was a shipping room with records stacked on shelves all around the musicians, but I wouldn't know that until many years later.