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LATEST ADDITIONS

Treehaus Audiolab

Can you judge an exhibitor's products by the music he plays? Perhaps not, but when I walk into a room playing "Hotel California," that mad percussion ditty "Music for Bang, Baa-Room and Harp," 90s grunge (footnote 1), or God No! Jazz at the Pawnshop, it's all I can do to stay put and not scream.

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High Water Sound 2023

A dependable first stop for any show attendee, Jeffrey Catalano’s High Water Sound room got down to business and quick. Offering a similar system to last year's but with new Cessaro Horn Acoustics’ Wagner II Horn Speakers ($65,000/pair), the system had considerable jump and force paired to a liquid midrange and absolutely clean, nearly medicinal, certainly soul-enriching highs.

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Snell B minor loudspeaker

Few products elicited as much excitement, disappointment, and debate among the Stereophile staff as did the Snell Type B dynamic loudspeaker (footnote 1). Both Peter Mitchell and I praised the Type B for its low-frequency extension, smooth treble, high power handling, and excellent dynamics. Corey Greenberg and Robert Harley faulted the speaker's sluggish and fat bass response, which they felt precluded a recommendation in Stereophile's "Recommended Components." Kickdrum recordings in pop and rock excited the Type B's bass character, a characteristic which was not so noticeable if one only listens to classical music. This bass peak was so prominent in RH's listening room that it colored the rest of the loudspeaker's range. As a result, he found that this otherwise fine loudspeaker was not as transparent as other high-quality dynamic systems in the same price range.

Help was on the way. Within six months of RH's review, Snell Acoustics introduced a smaller version, the B minor, at the 1992 Summer CES.

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