Yesterday, I played a minor role in a dustup on Facebook. It began when a fellow journalist posted a controversial quote from a veteran manufacturer known for generating same. The bait proved irresistible, and a long line of audio mavens, myself included, swam around the hook for an hour or so. The manufacturer himself also waded in, and before the fight was over, he'd made a show of demanding the home address of one of his antagonists, thus raising the manly specter of bodily harm. If there were any women in the audience, I'm sure they were impressed.
These live performances of Beethoven's nine symphonies were recorded mostly in Tokyo's Suntory Hall, October through December 2012 (except 3 and 6, recorded in Munich's Herkulessaal); the ancillary materialthe Reflections of this set's titleare works by contemporary composers commissioned by conductor Mariss Jansons and recorded in Munich and Tokyo in 2008, 2009, and 2012. Intended as homages to Beethoven (as if he needed any), they are supposed to reflect what these composers feel Beethoven might be writing if he were alive today. Each new work is meant to denote an aspect of a specific symphony, and the CDs are (mostly) arranged so that we can hear each after the symphony that inspired it. Some of these pieces are daring and innovative, and add value to these marvelous performances of the symphonies themselves.
It may seem silly to us, but a headphone with a sub-woofer sounds like a stupendously good idea to a 20 year old. Nature abhors a vacuum...somebody had to do it.
Each listing-in alphabetical order within classes-is followed by a brief description of the product's sonic characteristics and a code indicating the Stereophile Volume and Issue in which that product's report appeared. Thus the September 2013 issue is indicated as "Vol.36 No.9."
Respighi: Church WindowsSome years ago, Harry Pearson, editor and publisher of That Other Magazine, announced his intention to help finance production of a no-holds-barred symphonic recording. The only question was, who would produce it?
Reference Recordings' Tam Henderson assures me he did not have HP's grant in mind when he conspired with the Pacific Symphony's conductor to record "something" in the Crystal Cathedral, a huge barn of a place in Santa Ana, CA. When that hall, graced by a large, romantic-sounding pipe organ and superb acoustics, proved to be unavailable because of some legal wrangle, the idea of recording something big and romantic for orchestra and pipe organ refused to go away.