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Shown above is the new Pandora DAC which has three slots on the back for a variety of input options including AES, USB (asynch) and SPDIF, and tube analog stage and both balanced and unbalanced outputs and an optional volume control. Retail is $6k.

I've had the new Peachtree DAC•iT at home for several months and a review will be showing up in Stereophile shortly. It's a great little product for the money ($449) and sports USB, SPDIF and Toslink input and features an ESS Sabre32 9022 chip.

The GoldenEar Triton Two, which I reviewed in the February 2012, issue, is my favorite speaker at anywhere near its price ($2499/pair until February 1, when it goes up to a still-very-reasonable $2999/pair). The Triton Two now has a "little brother": the Triton Three ($1999/pair), is a smaller version of the Triton Two. The resemblance goes beyond the physical; listening to a pair of Triton Threes, I was very much reminded of the Twos: the same sort of expansive soundstage and bass that was very nearly as impressive as I'm familiar with from the Twos.

MartinLogan is famous for speakers that use electrostatic drivers—full-range or in combination with dynamic woofers—but they have more recently broadened their offerings to include non-electrostatic models. According to MartinLogan's Peter Soderberg, their aim is to produce speakers that approach the sound of their electrostatic models, but at a lower price and easier to drive. He says that this has become possible with their version of the Heil tweeter (the original Oskar Heil patent having expired). He did a comparison for me between their top-of-the-line electrostatic CLX ($25,000/pair), supplemented by the Depth 1 subwoofer ($2000), and the new Motion 40 ($1995), which uses the Folded Motion (aka Heil) tweeter, in both cases driven by Anthem's new class-D amplifier, top-of-the-line Conrad-Johnson preamp, with a laptop as source. With Patricia Barber singing "Norwegian Wood," the tonal balance of these physically very different speakers was surprisingly similar. Peter Soderberg is pictured here with the CLX and the Motion 40, after what must have been an exceptionally amusing quip on my part.

The Adam is yet another loudspeaker manufacturer that uses drivers that are descendants of the Heil AMT tweeter. Adam's Classic Mk.3 uses what they call Accelerated Ribbon Technology (X-ART) for the midrange as well as the tweeter, and 2x7.5" HexaCone midwoofers. The Classic Mk.3 is available in passive ($7000)/pair or active ($10,000/pair) form, the latter for the studio professional market. A brief demo—with Cary Audio electronics—sounded convincingly full-range and dynamic. I understand that Kal Rubinson is getting a pair of these for review in Stereophile.

Not strictly a digital product, the ECI-6 DS from Norwegian manufacturer Electrocompaniet is a 125 watt per channel integrated amp that also incorporates a DAC and streaming and runs $5995 for the "basic version". DAC inputs include SPDIF, Toslink and USB and the ECI-6 DS can stream internet radio, DNLA devices, iPods, etc.

Company COO Peder Beckman provided an interesting demo where he was able to move the music stream from the integrated amp to a handheld device (in this case an Android phone), which started playing the music though its tiny speaker instead of the main system.

Electrocompaniet was also showing the new EMP-2 Disc Player based on the Oppo 93. They have added their own 24/192 DAC, analog board and balanced outputs. All for $3995.

Esoteric displayed the new K-05 SACD/CD player scheduled for release sometime in 2012 at a retail price of approximately $9,900. It will be a dual-mono design and feature 32-bit AKM4399 DACs, 24/192 digital inputs including asynch USB. CDs are upsampled to 24/176.