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George Cardas has been making fine-quality interconnects and loudspeaker cables since 1987. But, in 2009, he saw the future and started experimenting—looking for a technology to create a truly audiophile-quality in-the-ear loudspeaker. I went to the Cardas room at CES with the hope of experiencing his new prototypes; in-ear phones where the tiny earspeaker driver is positioned deeeeeep into the listener's ear. However, George was not there and neither were the deep-ear drivers. But! I was able to audition the brand new A8 earspeakers ($299).

We were clearly off to a good start, so I was wondering what Graham Nash's reaction would be to an all out audiophile assault.

I explained to Nash that the Vivid speakers and Luxman system we just heard were relatively compact, by audiophile standards (though by no means modest), and that the next room would be more typical of the cost-no-object approach. Judged by Graham's "impact of the music" criteria, would bigger necessarily be better, or might it detract from the musical intent he was looking for?

AVM has three lines of products ascending in quality and price: Inspiration, Evolution, and Ovation. Pictured above is the Evolution MP3.2 Media Player with built-in Teac CD transport that handles PCM up to 24/192 and DSD64. There are six digital inputs, digital volume control, iOS and Android apps and Tidal integration.

Proprietor Gavin Fish was on hand to show off LH Lab's latest prototype, the Geek Source (initially started as an Indiegogo project), slated for release this spring at a retail price of around $5,000. There are optional Femto clocks and the Source will handle pretty much all PCM and DSD formats.

Also on display in the LH Labs room was the long awaited VI DAC, also started as an Indiegogo project, and available shortly via normal retail for $4999 in solid state version, or $6999 with tubes sporting both single-ended or balanced outputs as shown here. Interestingly the tube version still contains the complete solid-state output stage, so you can switch between them.

Coming from the pro market, where active loudspeakers have been the norm, ATC is a major advocate of the active approach. According to ATC, the advantages include more accurate crossovers, lower intermodulation distortion, improved frequency response and stereo matching, and better low-frequency control. The active speaker from ATC being demoed at CES was the SCM40A, ($12,999/pair; $6999/pair in the passive version).

Made in Slovenia, the Ubiq One ($13,750/pair) is a striking-looking speaker, whose sound (in a system with the Absolare Passion integrated amplifier and Memory Player 64) had a horn-like quickness. I looked up Ubiq Audio on the internet, and was interested to note that Igor Kante, Ubiq's CEO and project leader, is a big fan of Avantgarde horns, as am I.