High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Pulsar 121
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors
JL Audio Subwoofer Demo and Deep Dive at Audio Advice Live 2025

LATEST ADDITIONS

VK Music: Elekit, Sun Valley

Gramophone Dreams’ columnist Herb Reichert has written glowing amplifier reviews of Elekit of Fukuoka, Japan, and Sun Valley, of Nagoya, Japan, both distributed by Victor Kung’s VK Music.

At CAF2024 Victor showcased many amplifiers at his CAF booth, most boasting fat tubes and open circuit boards, the kind of which activates my reviewer’s twitch.

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Moon 861 stereo/mono power amplifier

It is unusual to begin a review with a detailed discussion of setup. But setup protocol for the Moon 861 power amplifier ($22,000 each), the top-level amplifier in the North Collection from Moon, which I reviewed bridged in mono, proved crucial to its sound.

The setup saga began when Moon co-owner Costa Koulisakis traveled to Port Townsend from Quebec to help remove two 861 amplifiers from their sturdy flight cases and set them up.

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Audacious Silent Pound of Lithuania

Hailing from Lithuania, which lies right across the Northeast border of Poland, one-year-old audacious speaker company Silent Pound made its second consecutive appearance at the Warsaw Show. The company returned to the same large, irregularly shaped room that allowed them to place four listening chairs, one behind the other, in a straight line, midway between the standmount speakers on active display.
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Warwick Acoustics

We've still got a few more posts to go from last month's Capital Audiofest, here's the first of the final batch:

I ain't no digital techie. Big headphones and me? Never gonna happen. But these guys from Warwick Acoustics, Martin Roberts and Orazio Pollaci, they've got a certain je ne sais quoi. We were knocking back drinks in the packed Hilton bar, and they were so damn charming, I ended up in their room. What a night. What a blast.

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Gramophone Dreams #91: Mobile Fidelity, PrimaLuna, and First Watt Redux

Herb waits for Godot

It's important for readers to remember that I've spent my adult life as an artist and mechanic. Making things. Working as a tradesperson during the day then at an easel or workbench at night.

When I finished high school, all I wanted to do was work in a fancy, well-equipped shop building drag race engines. Engine building was something I had already shown a talent for, but my parents insisted I go to college. Unfortunately, my high school grade point average was so low I was turned down by every college I applied to. Consequently, my parents forced me to attend Wright Junior College in Chicago, a place where teachers rolled joints for their students. And I got straight A's. Those easy A's got me into Western Illinois University, a small state college in a tiny rural town called Macomb near the Mississippi River. My mother was so proud, she told everybody she knew that her son was accepted into "university," but she could never remember which one.

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